Washington: The death toll from Hurricane Ian in Florida has risen to 42. Meteorologists said the storm remains dangerous. The death toll is likely to rise in the coming days. US President Joe Biden has assured federal government assistance to states devastated by Hurricane Ian.
The authorities had earlier instructed about twenty-five lakh people in the path of the storm to evacuate. More than 100,000 people are currently without electricity. President of the United States Joe Biden said that dangerous Ian will arrive in Florida by making all the predictions made by weather observers come true.
The National Weather Service has warned that there is a possibility of strong winds and flooding in the western part of Florida. It will be the largest storm to hit Florida since 1921. It is estimated that there is no way to drain the water that occurs after heavy rains and it will create a big crisis.
Saudi authorities have foiled an attempt to smuggle drugs in watermelons. The Saudi police arrested five people including two natives and three Syrian foreigners.
Under the guise of exporting watermelons, 7,65,000 amphetamine tablets were tried to be smuggled. Authorities thwarted an attempt to smuggle drug pills inside watermelons. The accused were arrested and handed over to the public prosecution.
Saudi authorities recently seized Captagon and amphetamine pills illegally exported from Syria and Lebanon. The General Directorate of Narcotics Control said that the Saudi Arabia security forces seized 7,00,000 amphetamine tablets in the capital Riyadh.
Thiruvananthapuram: KSRTC single duty will be effective from today. It was decided to implement single duty only at Parassala Depot today after hearing the opinion of labor organizations in the discussion held last day.
INTUC-led TDF called off strike against single duty. The strike was called off after the management agreed to look into the illegal duties.
It was earlier decided to implement it in 8 depots, but the decision was changed when the unions pointed out irregularities in the prepared schedules. The management said that for working hours exceeding 8 hours, up to two hours, double wages will be paid commensurate with basic pay and DA.
TDF, a pro-Congress organization, announced its strike that it would not accept the single duty reform implemented in KSRTC. The management had already prepared plans to deal with the strike. Minister Antony Raju warned that the employees should think about whether there will be work when they return after the strike.
The information of the drivers and conductors in the expired PSC rank list was also sought so that the services are not disrupted. Later, TDF announced that the strike was called off. The explanation is that the strike is called off due to the non-implementation of a 12-hour spread over single duty and the pending case in the High Court. Meanwhile, the management sent a letter to the finance department demanding Rs 50 crore for the salary for the month of September.
New Delhi: Prime Minister Narendra Modi will launch 5G services today. Modi will launch the 5G services at the same time as inaugurating the India Mobile Congress in Delhi. In the first phase, the services will be available in 13 major cities of the country. This does not include cities in Kerala. The IT Ministry has also stated that it will ensure that the services are affordable to the customers. 5G is expected to reach all parts of the country by the end of 2023. Reliance has announced that 5G will reach major cities like Delhi, Mumbai, Chennai and Kolkata by Diwali. Airtel and VI are gearing up to launch 5G soon.
Ponniyin Selvan Theatre Response And Public Review from Kerala – Movie starring Vikram, Jayam Ravi, Karthi, Aishwarya Rai Bachchan, and Trisha in the lead role.Movie directed by Mani Ratnam. Watch Video
Naane Varuven Review; Stellar performance and story by Dhanush make this movie entertaining
REVIEW BY ARUNJYOTHI R
•Language: TAMIL
•Duration: 02 Hour 02 Minutes.
•Genre: Supernatural Psychological Thriller.
•POSITIVES:
1: DIRECTION
2: STORY
3: SCREENPLAY
4: PERFORMANCE OF DHANUSH
5: BACKGROUND SCORE
6: CINEMATOGRAPHY
7: LIGHTING
8: EDITING
• NEGATIVES:
1: AVERAGE SECOND HALF
2: SCREENPLAY NEEDS IMPROVEMENT
2: SECOND HALF WAS RUSHED.
3: ENDING LACKS TO GIVE A PROPER IMPACT.
4: COLOUR GRADING IN SOME SCENES LOOKED BAD.
•ONE WORD: Stellar performance and story by Dhanush make this movie entertaining.
•STORY IDEA:
The film revolves around twins Kathir and Prabhu. Among them, Kathir is so rude, arrogant and troublesome that his parents consider him a cursed child. Some unexpected events separate them for 20 years. Nowadays, Prabhu is well settled and lives happily with his daughter and wife. After a family vacation, Prabhu’s (Satya) daughter is possessed by an evil spirit. Her health and mental condition will be seriously affected and suicidal tendencies will put her life in danger. Prabhu will be deeply hurt seeing his daughter’s condition and no matter what he will decide to save his daughter at any cost.
•ANALYSIS OF THE DIRECTION, STORY, SCREENPLAY AND DIALOGUES:
The film Naane Varuvean is directed by Selvaraghavan and written by Dhanush. The movie is produced and distributed by Kalaipuli S. Thanu under V Creations and in Kerala Aashirvad Cinemas handles the distribution. Yuvan Shankar Raja composes the music, Bhuvan Srinivasan does the editing and Om Prakash handles the cinematography for the film. With a running time of 122 minutes, the film is currently running in theatres with a censor certificate of U/A.
We saw some incredible films when Selvaraghavan and Dhanush teamed up for ‘Tulluvato Ilamai’, ‘Kathal Konden’ and ‘Puthupettai’. Those films were highly acclaimed and became box-office hits. So people started putting faith in Dhanush and Selvaraghavan’s combo. So like everyone else, when ‘Nane Varavan’ was announced, I expected a different film. The music of Yuvan Shankar Raja, the direction from Selvaraghavan and the script from Dhanush made my expectation higher. Therefore to be honest, ‘Nanne Varuvean’ is a film with a unique concept set against the backdrop of a familiar set of twin brothers. I’m sure the movie will entertain everyone and I’m happy to say that the Selvaraghavan-Dhanush-Yuvan combo has won and has once again worked out.
The atmosphere and premise of the film ‘Naane Varuvean’ are fascinating, I enjoyed the vibe of this film. The horror mood, the thrilling scenes, the supernatural happenings, the crimes and the interesting twin brother storyline had provided me with an enjoyable experience. The twin brother stories are now common these days but in ‘Naane Varuvean’ the director Selvaraghavan and writer Dhanush had brought some interesting concepts, it was unique and looked fresh. The mood that this movie gives will make you thrilled and the way the movie is unfolding will also amuse you. While watching this film I was getting a feeling of excitement and curiosity about what is next and what will happen to them, so the experience of ‘Naane Varuvean’ was delightful. There are some flaws, but those flaws didn’t make the overall quality bad, I’m sure no one will be disappointed after watching ‘Naane Varuvean’.
The first major positive factor of this film is the storyline, the plot of this film has successfully got some ingredients to entertain us. The story of the film happens between a twin brother and it’s common but the concepts like supernatural and psychological elements were blended in the right place and Selvaraghavan executed it authentically for the film. The screenplay was also effective, I was able to connect with the emotions of the central characters. The occurrences in the screenplay and the subplots which unfolded in the screenplay were making the movie more gripping. The scenes where the twin brothers meet after a long gap and the circumstances through which they meet made my mind crazy. It’s because the placement of scenes was accurate, the proper connection was given for the next scene, and we won’t feel an incompleteness till the climax. Seriously, this movie had a stunning first half, everything in the first half was making me enthusiastic but the second half missed the momentum and ended up in a decent manner. The wow factor found in the first half was missing in the second half. The second half and climax of the movie should have been made better, the screenplay lacked to give an impact.
The concepts and ideas brought by Dhanush to the script are convincing, it never felt exaggerated or dramatic. The supernatural theme was crammed with psychological angles and it pursued a smooth flow. It didn’t get diverted, the core subject was fresh, the central characters were given equal importance and how the various incidents affect the life of the hero and villain makes the storyline more compelling. Sadly other supporting characters in the film were not given space, the characters of Indhuja, Prabhu and Yogi Babu looked shoddy. The hunting of supernatural energy towards the end of the first half was brilliantly executed by Selvaraghavan. There I was able to see the brilliance of Selvaraghavan, whose clever way of direction had given me a big impression. The direction of Selvaraghavan till the climax was on the right track, but the ending looked weak, both Dhanush and Selvaraghavan are responsible for the average climax.
The first half focused on the life of one of the main central characters, his family, his work, his happiness, and his bond with his daughter was portrayed effectively. Those scenes had given a good feel, as director Selvaraghavan had produced some good scenes of family love and sentiments, so I was able to rectify the emotions. Shortly after the movie tracked into a thriller backdrop,
the totality of the movie started to change. I was sensing something different and was not wrong because the film was constantly showing riveting ideas of supernatural and psychological aspects. I was wondering whether it was supernatural or psychological and I loved that confused feeling of my mind. The interval block was terrific, had blown my mind and I was also shocked by seeing the presentation of that scene. It was directed amazingly by Selvaraghavan, the mood of fear and horror was felt all over. The entrancing interval twist had given the hope of something big but unfortunately, the second half didn’t maintain the quality of the first half.
The second half was concentrating more on the negative character, things went more engrossing after the revealing of the subplot. The subplot was portraying his emotions and secrets, also the way he lives and his family angle was shown effectively. Those parts were nicely written by Dhanush the flashback scenes had given an influence. Proper detailing was given to the negative character, his struggles, his anger and his hate had the depth to hook us and those scenes haven’t given any lag. Till the climax everything was perfect, the screenplay maintained the grip and the direction of Selvaraghavan followed the right momentum. Towards the ending the movie started to get off-balance, felt like the makers were rushing to end the film. The climax looked ordinary, there is an important scene where the twin brothers meet after a long time and that was supposed to create a big impact but that scene was made poorly. I kept on wondering why Selvaraghavan had opted for a simple-mannered climax, no wow factors were seen. The ending was good but I couldn’t find the passionate touch of Selvaraghavan, also the way it ended lacked a punch. The film leaves a trail for a possible second part but the screenplay needs to be stronger. So I can guarantee you that the engaging way of direction by Selvaraghavan and the story written by Dhanush is worth your time and money.
•PERFORMANCE OF ACTORS:
The movie has the casting of Dhanush, Indhuja Ravichandran, Yogi Babu, Prabhu, Elli AvrRam, Shelly Kishore and many more. As the hero and as a villain Dhanush had done a massive performance, and the energy we can see in his performance was huge. The way he acted out and the way he expressed the emotions in his character was outstanding. The two different character shades and the two types of behaviour were carefully handled by Dhanush without any errors. The facial expressions were impressive, we will be able to see the demeaning emotions of his two-character. The innocence and the anger were expressed authentically, as a dual role he maintained the personality of the two characters correctly. The dialogue delivery of Dhanush was wonderful, timing issues were never felt and his voice also had the power to contrive us. The fight sequence looked good and the costume style looked precise, and the mannerism of the two twin brothers was also easily undertaken in the right manner. In the emotional scene, the acting of Dhanush was top-class, especially when he cries we will be able to sense his natural acting. Indhuja Ravichandran didn’t have enough space to perform so the performance looked normal. Yogi Babu was ok, some scenes brought humour but his character was written out poorly. Prabhu as the psychologist was average, his character was also lacking in-depth so nothing much to mention. Shelly Kishore did a notable performance as the mother, her emotional scenes and the acting looked natural. Elli AvrRam looked gorgeous and her mother’s character was good. She performed well and the bondage of a caring mother was able to be seen in her performance.
•MUSIC, BACKGROUND SCORE:
The music for the film is composed by Yuvan Shankar Raja which includes the background score. The soundtrack consists of four songs and the songs were nice to hear. The track “Veera Soora” is my favourite among the tracks, the energy and vibe which the song gives while listening is huge. Also, the visuals of the song in the film were superb, the action sequences had the song more vibrant. The lyrics of Selvaraghavan was also matching the song and the voice of Yuvan Shankar Raja and Muthu Siripi made it flawless. The song “Rendu Raja” was superb because of the voice and lyrics of Dhanush. The song maintained a nice mood of thrill and tension, and the lyrics were giving the hint of who is the hero and villain. The song “Pinju Pinju Mazhai” was melodious, and the visuals brought the love and affection of a father and daughter relationship. The vocals of Sid Ram had given a nice pleasant feel and Yugabharathi had given the right words for the song.
The background score tuned by Yuvan Shankar Raja is one of the major plus factors of this film. His background tunes helped the film to boost the mood. I’m sure that the tunes will engage everyone and will attract them to the scenes. Every BGM was made according to the scene and the tunes synched perfectly with every scene. The building of tension and eagerness drives all through the film, so to give that feel Yuvan Shankar Raja had given some unique set of tunes and it came out well. The climax was not satisfying for me but the background scores in those areas impressed me. The scene just before the interval block was mesmerizing, I was shocked by the stunning visuals. In those scenes, the sense of excitement was heavily passed by the background score. It was an important crucial scene in the film and without making it dull to give more impact the composer Yuvan Shankar Raja had come up with some electrifying tunes. Those tunes were thrilling, scary and amusing at the same time, so I will say that Yuvan Shankar Raja clearly understood what this film demanded and had given a proper and appropriate set of background music.
•TECHNICAL ASPECTS:
The technical quality of the film was impressive, and the cinematography of Om Prakash was outstanding. He had given the right visuals and the various types of shots were remarkable. The lighting methods were brilliant, and the mood of fear and the situation of the supernatural premise were effectively captured. The lighting methods gave more vibrancy to the supernatural scenes, and the flat where the central characters reside had the setup of perfect lighting. That darkish lighting method and the colour grading had the perfect combination and it looked matching on the screen. The outdoor visuals of the hill station and the living places of the villain were properly shot by the cinematographer. The forest hunting visuals were amazing, and the fight moves of Dhanush were also caught steadily. The close-up frames of Dhanush in the emotional scenes consisted of various angles. Those different placements of the camera and the close-up frames helped to showcase his natural way of acting. The scenes in which some groups of youngsters come to rectify supernatural presence had the best shots and visuals. The red lighting, the sudden camera movements and the placement of the camera helped to give a big impact. The editing of Bhuvan Srinivasan was fine, the transition of the scene didn’t have a mismatched feeling. I am having mixed opinions on colour grading because for some scenes it was perfect but for some scenes, it was not matching. For the indoor scenes, the colour grading was fine but for the outdoor scenes, the dark grey tone was not that accurate. The set arrangement by the art department deserves special mention, the mood and the premise of the scary atmosphere was seen authentically throughout.
•CONCLUSION:
So overall I enjoyed watching ‘Naane Varuvean’, the vibe and atmosphere of this film were captivating, I liked everything until the climax. The supernatural scenes in the film were wonderfully executed and the added psychological elements made it more tempting. The hero-villain play of twin brothers was interesting and the energetic performance of Dhanush will blow your mind. The script by Dhanush and the direction by Selvaraghavan have got the components to attract us and I am sure that the movie won’t disappoint anyone. Still, the climax was average and the second half was rushed, but the first half was excellent. Therefore, to conclude, if you love to watch a different kind of thriller with a supernatural backdrop the movie ‘Naane Varuvean’ will be a good choice.
New Delhi: Alert issued in 17 states regarding Popular Front ban. Police have intensified surveillance on social media. Other PFI-linked organizations are also under scrutiny.
Central forces have been deployed in PFI areas of influence in five states. Proceedings have been initiated to confiscate PFI assets. Maharashtra issued orders for further action. The order is to take action under Section 42 of the UAPA. Instructions were given to the Collectors and Police Commissioners.
Security has been beefed up in Delhi. Delhi Police is on high alert to maintain law and order in the city. More police have been deployed in Popular Front strongholds. The action was taken because of reports that there was a possibility of protests.
Senior police officials including DCPs of the respective districts conduct the inspection directly. The police said that they are ready to deal with any emergency and will deploy more forces if necessary.
Last day, the central government banned the Popular Front and its affiliates.
Kochi: The bail only will be granted to the accused in the incidents of violence during PFI hartal, after a deposit of 5 crores as the compensation in the case, said High Court. The High Court will soon issue an order in this regard.
It is sufficient to grant bail to the accused only if the amount of compensation is fixed. Otherwise, measures including confiscation of property will be taken. The Division Bench of the High Court stated that it will issue instructions to all Magistrate Courts in this regard. The crucial intervention is in the case taken by the court on suo moto. The High Court directed the government to make PFI state secretary Abdul Sattar an accused in the entire case related to the hartal in Kerala.
The KSRTC had approached the court claiming that there was a loss of more than five crores in the hartal and demanding that it be recovered from the supporters of the hartal.
Meanwhile, DGP Anil Kant called a meeting of district police chiefs to explain the further steps to be taken against the Popular Front. A meeting of DGP officials was called after the government order came down. The meeting is held online. A meeting of Collectors and Heads of Departments is being held in the capital. The meeting convened by the DGP will be held after this.
Mumbai; The rape case against Binoy Kodiyeri, son of CPM leader Kodiyeri Balakrishnan, has been settled.
The case was settled by paying Rs 80 lakh to the complainant, a native of Bihar. The Bombay High Court accepted the settlement terms entered into by the duo.
It has been stated in the settlement agreement that the case will be settled for Rs 80 lakh. The document of payment to the woman has also been submitted. Binoy did not deny paternity of the child in the settlement agreement. A division bench comprising Justices RP Mohit Dere and SM Modak accepted the settlement terms of both.
New Delhi: Retired Lt. Gen Anil Chauhan was appointed as the Chiefs of Defence Staff. The new appointment comes nine months after the death of General Bipin Rawat in a helicopter crash.
61-year-old Lt. Gen. Chauhan, who was the Eastern Command-in-Chief of the Army, retired from the Army in May 2021.
General Chauhan has served as the Military Advisor to the National Security Council. He has also been actively involved in counter-terrorism operations in Jammu and Kashmir and North Eastern regions.
Born on 18 May 1961, Lt. Gen. Anil Chauhan was commissioned in the 11 Gurkha Rifles of the Indian Army in 1981. General Anil Chauhan is an alumnus of the National Defense Academy, Khadakwasla, and the Indian Military Academy, Dehradun.