Raipur: In Chhattisgarh, 21 Maoists, including 13 women, have surrendered with weapons to police authorities. The surrender took place under the state’s ‘Poona Margem: Rehabilitation through Reintegration’ initiative launched in the Bastar Range. The rebels handed over 18 weapons, including AK-47s, INSAS rifles, SLRs, and grenade launchers. Earlier, on October 17, 210 Naxalites, including a central committee member, had surrendered in Jagdalpur, turning in 153 weapons.
Ranchi: In Jharkhand, five medical officials, including a doctor, have been suspended after HIV-positive blood was transfused to thalassemia-affected children.
The case came to light when the family of a 7-year-old boy raised a complaint, prompting Chief Minister Hemant Soren to intervene. Subsequent tests revealed four more infected children.
The infected blood was sourced from a private blood bank in Chaibasa under West Singhbhum district. A medical team has been deployed to investigate. Reports suggest the child had received 25 units of blood from the same facility over time before testing positive last week.
Thalassemia is a genetic blood disorder that impairs hemoglobin production, leading to anemia and related complications.
Thiruvananthapuram: Kerala’s Education Minister V. Sivankutty announced that the Public Education Department will provide houses to 50 deserving gold medalists from the State School Sports Meet.
The Minister said he personally reviewed the living conditions of some athletes, including record holders, who come from economically challenged backgrounds.
The CPM District Committee has offered to build a house for Devapriya from Idukki, while Kerala Scouts and Guides will construct one for Devananda from Kozhikode.
The Minister also added that the Sports Manual will be revised to resolve issues faced by students at the school level.
New Delhi: The Election Commission of India will announce the first phase of the Special Intensive Revision (SIR) of the voter list on Monday evening. Around 10–15 states will be covered in this initial phase.
States likely to be included are Kerala, Tamil Nadu, West Bengal, and Puducherry, where assembly elections are approaching. The Commission had earlier informed the Madras High Court that the SIR process in Tamil Nadu would begin next week. However, states conducting local body elections may get some relaxation due to staff involvement in poll duties. The SIR will be completed before the assembly polls, officials said.
Kaniha or Kanika, is an Indian movie actress who mainly works in Malayalam movies. Kanika Photos . Check out the latest pictures, pics, Kaniha new photos, movie stills, event photos, Kanika photoshoot and images of Kanika .
Dive into the terrifying world of the Malayalam horror-thriller, Dies Irae, with a stunning collection of HD movie stills, official posters, and exclusive location photos. See Pranav Mohanlal like never before in this intense avatar, as director Rahul Sadasivan.Find Pranav Mohanlal Dies Irae HD images, official movie posters, and behind-the-scenes location stills of this highly anticipated film.
Nellikkampoyil Night Riders Review: One-Time Watchable Horror Comedy That Balances Laughs, Fears, and Chills
ONE WORD: One-Time Watchable Horror Comedy That Balances Laughs, Fears, and Chills.
A Review by Arunjyothi R
LANGUAGE: Malayalam
DURATION: 02 Hours 05 Minutes
DIRECTOR: Noufal Abdullah
GENRE: Comedy Horror
•POSITIVES:
1: Direction
2: Cinematography
3: Music and Background Score
4: Interesting First Half with Comedies
5: Performance of actors
6: Editing
7: Horror Scenes
8: Technical Sides
•NEGATIVES:
1: Predictable
2: Screenplay could have been better
3: Second Half loses momentum
STORY: Set in the fictional village of Nellikkampoyil, the story follows Shyam, a young man recently returned from college in Mangalore. Shyam carries an unusual fear of the dark, making him hesitant to step out at night. However, his quiet life is soon disrupted when the village is terrorized by a mysterious figure with horse-like legs, spreading fear and confusion among the residents. As strange incidents escalate, Shyam finds himself caught between confronting his deepest fears and protecting those he cares about. His love life becomes entangled in the chaos, adding emotional stakes to the unfolding horror. Alongside his friends, Shyam embarks on a journey to uncover the truth behind the mysterious attacker. Together, they navigate a series of suspenseful, thrilling, and sometimes humorous events, trying to solve the mystery while surviving the terror that haunts Nellikkampoyil..
REVIEW & ANALYSIS OF THE FILM:
WHAT ARE THE POSITIVES:
1: DIRECTION:
The film’s biggest win is its polished making and confident direction. Debutant Noufal Abdullah steps in with a surprisingly steady hand, steering a tricky comedy-horror blend with visual flair and technical precision. Right from the opening frame, there’s a sense of quality in the way scenes are mounted — the camerawork, lighting, and pacing reflect a filmmaker who knows exactly what tone he’s aiming for.
Even though the script wobbles at places, especially in the latter half where the writing loses grip, Noufal’s direction keeps the film afloat. He balances humor and horror with a smart rhythm, never allowing the experience to become dull or stretched. The first half shines, filled with sharp situational comedy and an engaging buildup that leads to a well-crafted interval block. The second half struggles with its screenplay but still manages to stay on track, thanks to Noufal’s focused treatment and his ability to sustain audience interest.
For a first-time director, Noufal Abdullah showcases maturity and control rare for a debut. His command over the craft, technical awareness, and eye for detail make the film visually rich and narratively alive, even when the story stumbles. In short, it’s his direction that turns a flawed script into a watchable, neatly packaged entertainer.
2: CINEMATOGRAPHY:
The cinematography by Abhilash Shankar is undoubtedly one of the film’s strongest assets, adding depth and tension to the overall viewing experience. Right from the beginning, his visuals set the perfect tone for a comedy-horror setup. Every frame feels thoughtfully crafted — from the use of lighting and shadow play to the precision in camera angles and shot composition, Abhilash creates an atmosphere that feels both cinematic and unsettling. His choice of color tones and lighting patterns beautifully enhances the film’s eerie mood while maintaining visual richness throughout.
One of the highlights of his work can be seen in the horror sequences involving Merin Philip, where the visuals genuinely succeed in creating moments of real fear. The way Abhilash frames her expressions, uses light to heighten suspense, and times the camera movements perfectly makes those scenes come alive with spine-chilling energy. These portions don’t just look good — they work effectively in scaring the audience, proving that the horror elements are not superficial but rooted in strong visual storytelling. The tension built through angles and framing ensures that viewers feel the intensity rather than just watching it passively.
The jump scares, chase sequences, and wide-angle shots are equally well executed, enhancing the thrill and maintaining the film’s dark yet engaging tone. Even in the action segments, the camera captures motion with clarity and excitement, without losing the underlying sense of mystery. Abhilash’s ability to shift between humor, fear, and chaos through visuals reflects a strong command of craft.
3: MUSIC AND BACKGROUND SCORE:
When the direction remains steady and the horror sequences are executed with precision, the next essential layer that elevates the experience is undoubtedly the background score. In this film, the music duo Neha Nair and Yakzan Gary Pereira step in and deliver exactly what the genre demands — a soundscape that breathes life into fear. Their musical work stands out as another major positive factor, beautifully complementing Noufal Abdullah’s direction and Abhilash Shankar’s compelling visuals.
The background score plays a crucial narrative role, not merely accompanying the scenes but enhancing their emotional depth. In horror films, silence and sound often compete for dominance, and here the composers strike a perfect balance. Their haunting orchestration, subtle synth layers, and sudden crescendos help amplify tension without overpowering the visuals. The eerie cues, whispering undertones, and sharp sound bursts effectively intensify the sense of dread, especially during key moments.
The scenes featuring Merin Philip are prime examples of how well the background music works. The scoring in her horror sequences feels organic, perfectly syncing with her expressions and the mood of terror. Those chilling moments are brought to life by the music’s timing and texture — it’s not just heard, it’s felt. The BGM transforms the visuals into a full sensory experience, making the fear more tangible and the suspense more gripping. Beyond the horror, the songs too serve their purpose well. The romantic number in the first half provides a pleasant breather and fits naturally into the narrative, tonally preparing the audience before the shift into darker territory. Even when the script stumbles in the second half, the technical brilliance and the engaging background score manage to keep the film afloat. The music continuously drives the emotion and maintains a rhythmic flow that keeps the audience invested.
4: COMEDIES:
The movie unfolds through a narrative perspective centered on Shyam, played convincingly by Mathew Thomas, giving the story a personal and relatable tone right from the start. The film smartly blends horror and comedy, a combination that often risks imbalance, yet here it feels refreshingly natural. The writers deserve credit for crafting humor that arises organically from situations rather than relying on exaggerated or forced jokes. This approach ensures that the comedic elements never interrupt the flow of the story but rather complement the unfolding horror.
The comic chemistry between Mathew Thomas, Roshan, and Sarath forms one of the most enjoyable aspects of the film. Their camaraderie feels real, and the humor stems from their personalities, reactions, and the bizarre situations they find themselves in. Their friendship is portrayed with warmth and energy, making the lighter moments genuinely entertaining. The situational humor is consistent throughout, especially in the first half, where the film balances laughter with the growing tension of the horror narrative.
The first half of the movie leans more towards comedy, keeping the mood breezy and engaging while subtly building up the horror angle. The second half, on the other hand, shifts focus to conflict and mystery, yet the writers skillfully sprinkle bits of humor to maintain the rhythm. This tonal balance helps the film stay lively even when it moves into darker and more serious moments. Adding to the humor quotient, Rony David’s scenes bring in another layer of fun. His comic timing and expression-driven humor offer much-needed relief during tense sequences. None of the jokes feel out of place; instead, they flow naturally with the story’s events, enhancing the overall entertainment factor.
5: BRILLIANT FIRST HALF:
When comparing both halves of the film, it’s quite evident that the first half emerges as the more engaging and entertaining segment. Right from the beginning, the narrative captures attention with its fresh mix of comedy, horror, and myth-inspired imagination. The story moves with an appealing rhythm, filled with curiosity and excitement that keeps the audience eager to know what happens next. The way the writers blend humor with elements of mystery gives the film a unique texture, ensuring that viewers are constantly intrigued rather than overwhelmed.
The first half thrives on curiosity and discovery, keeping the audience hooked with questions about the strange happenings surrounding the central characters. The screenplay maintains a steady sense of suspense — we are drawn into the unfolding mystery, eager to uncover who or what is behind the supernatural occurrences. This curiosity is sustained by a series of well-timed events that combine humor, fear, and emotional tension. The film’s situational comedy also feels organic here, offering laughter that doesn’t interrupt the narrative flow but rather adds charm to the proceedings.
The horror sequences in the first half deserve special mention. They are crafted with the right balance of style and substance, giving the audience just the right amount of fear without overdoing the genre clichés. The scenes featuring Merin Philip are particularly effective — her presence adds emotional intensity and mystery, while her backstory gives the narrative a strong emotional foundation. These moments heighten the eerie atmosphere and create a sense of genuine fear, turning the first half into a thrilling cinematic experience that blends scares with storytelling depth.
Additionally, the romantic track integrated into the first half works surprisingly well. It doesn’t disrupt the flow of the story but rather helps in grounding the characters and their emotions. The chemistry between the leads adds warmth and relatability, serving as a pleasant contrast to the horror elements. With its well-balanced tone, engaging humor, quality horror sequences, and a powerful interval block, the first half stands out as the film’s strongest section — fun, curious, and beautifully structured to hold the audience’s attention throughout.
6: PERFORMANCE OF ACTORS:
The performances of the actors form another major highlight of the film, adding depth and liveliness to the overall narrative. Mathew Thomas, as Shyam, delivers one of his most balanced and natural performances to date. Unlike his earlier outings in Bromance and Lovely, where his acting occasionally felt exaggerated, here he showcases remarkable restraint and maturity. His portrayal flows effortlessly with the tone of the film, especially during the horror sequences where his fear and confusion feel genuinely convincing. Mathew beautifully captures the shifting emotions of fear, desperation, heartbreak, and love, all with believable expressions and timing. The action sequence towards the climax further demonstrates his growth as a performer, displaying both intensity and control.
The supporting duo, Roshan Shanavas and Sarath Sabha, perfectly complement Mathew, and their on-screen camaraderie adds a vibrant energy to the film. The friendship between the three is one of the movie’s emotional anchors — filled with natural humor, quick banter, and believable chemistry. During the horror scenes, their reactions and teamwork make the tension feel real while keeping the entertainment intact. Their humor never feels out of place; instead, it flows smoothly within the story, keeping the audience engaged and emotionally connected.
Merin Philip deserves special mention for her extraordinary performance. Her character is written with layers of mystery and emotion, and she brings it to life with remarkable precision. As the haunting figure at the heart of the story, Merin’s expressions are chilling yet deeply expressive, capable of evoking both fear and sympathy. Her screen presence leaves a lasting impact — the way she carries the ghostly aura without resorting to exaggerated theatrics is commendable. It’s one of those rare performances that stay with you long after the film ends, making her one of the standout elements of the movie.
Among others, Meenakshi Unnikrishnan as the female lead impresses with her subtle and graceful performance. Her chemistry with Mathew adds warmth and emotional balance to the narrative, giving the romantic track a natural flow. Rony David once again proves his comic timing, delivering light-hearted moments that lift the film’s pace. Abu Salim, portraying a retired military officer, brings authenticity and strength to his role, particularly shining in a surprising climax moment that leaves the audience stunned. And finally, the actor behind the villain role (whose identity is best left unspoiled) delivers a terrific and menacing performance, filled with charisma and intensity. Together, this ensemble cast makes the film vibrant, ensuring every emotional and thrilling beat lands with impact.
7: EDITING & TECHNICAL BRILLIANCE:
The editing of the film, handled by the director Noufal Abdullah himself, deserves strong appreciation. Being both the editor and the filmmaker, Noufal had a clear vision of how he wanted the story to unfold — and that precision reflects in the film’s rhythm and flow. His understanding of pacing ensures that the transition between comedy, horror, and emotional sequences feels smooth and organic. The cuts are sharp where they need to be, and deliberate when the moment demands pause, helping maintain tension throughout. Particularly during the horror sequences, the timing of the edits intensifies fear and suspense without resorting to unnecessary gimmicks. As an editor, Noufal uses his directorial insight effectively to keep the narrative engaging, balancing the lighter and darker tones with admirable control. The first half benefits the most from his crisp editing, while even in the slightly weaker second half, his structuring helps sustain viewer interest till the end.
On the technical front, the film stands out for its visual and auditory brilliance. The lighting design is meticulously planned, creating a haunting yet appealing atmosphere that perfectly complements the horror-comedy tone. The play of shadows, use of warm and cold hues, and controlled illumination all contribute to the eerie mood without compromising clarity. Similarly, the sound design and mixing are of top quality — every creak, whisper, and sudden thud is placed with precision to enhance the scares. The balance between background score and ambient sound ensures that the tension builds naturally, drawing viewers deeper into the cinematic experience. Together, the film’s technical craftsmanship — especially in lighting and sound — amplifies the mood, elevating the story into a polished and immersive horror experience.
WHAT ARE THE NEGATIVES:
1: AVERAGE SECOND HALF:
Looking at the negatives, the most prominent issue lies in the second half of the film. While the first half excelled in balancing horror, humor, and curiosity, the latter portion struggles with pacing and maintaining momentum. The energy and engagement that were so effective in the opening half are noticeably reduced, leaving some scenes feeling stretched and less impactful. The interval block had set high expectations, promising twists, suspense, and intense thrills, but the second half fails to consistently deliver on that promise. The horror sequences, though still present, lack the same intensity and ingenuity, making the scares feel moderate rather than genuinely gripping.
Additionally, the narrative surprises and plot developments in the second half don’t resonate as strongly as anticipated. The story moves along a steady but predictable line, without the spikes of curiosity, fear, or humor that made the first half so compelling. Key moments that could have heightened suspense or delivered shock value come across as underwhelming, resulting in a gradual dip in audience engagement. Despite strong performances, technical finesse, and clever direction, the second half feels comparatively flat, preventing the film from reaching the consistently high level of excitement and impact established in the first half.
2: ISSUES IN SCREENPLAY:
Another significant drawback of the film is the predictability of the script in the second half. While the first half thrived on curiosity, unexpected twists, and a clever mix of horror and comedy, the latter portion falls into a familiar and somewhat formulaic rhythm. The central conflicts in the second half adopt a routine cat-and-mouse pattern, which gradually robs the narrative of its freshness and excitement. As a result, the audience starts anticipating what will happen next, and the element of surprise — which is crucial for both horror and suspense — is noticeably diminished.
This predictability impacts the overall thrill factor, making many of the horror sequences feel moderate rather than genuinely chilling. The story moves along a line that, while coherent, lacks the inventive edge and unexpected turns that kept the first half engaging. The screenplay suffers because it leans heavily on conventional templates rather than exploring fresh or bold ideas that could have elevated the tension and intrigue. If the writers had taken more creative risks — introducing unique twists, deeper character choices, or unpredictable outcomes — the second half could have matched the brilliance of the first, giving the audience a more dynamic and compelling climax. Instead, while the performances and technical aspects continue to impress, the formulaic narrative prevents the film from fully capitalizing on its potential.
3: PACING AND UNDERDEVELOPED VILLAIN ARCH:
Another notable negative in the film is the pacing issues and the weak villain arc in the second half. While the first half moves briskly, balancing comedy, horror, and suspense, the latter half slows down significantly, causing the momentum to falter. Scenes that should have heightened tension or escalated conflict instead feel stretched or drawn out, which diminishes the impact of both the horror and the dramatic sequences. This uneven pacing makes the story feel stagnant at times, preventing the audience from fully immersing themselves in the thrills that were so effective in the first half.
Coupled with this is the underdeveloped villain arc, which fails to deliver the menace or intrigue expected from a horror narrative. The antagonist’s presence, while initially hinted at with suspense, never reaches the level of intensity or unpredictability that could have made the conflict truly gripping. Key moments that should have showcased cunning, danger, or surprise fall flat, making it easier for the audience to anticipate outcomes. Had the villain been written with more layers, unpredictability, or psychological depth, the stakes could have felt higher, adding much-needed tension to the second half. Instead, the combination of sluggish pacing and a weak villain arc leaves the latter portion feeling formulaic and less engaging compared to the energetic and suspenseful first half.
CONCLUSION:
Overall, the film Nellikkampoyil Night Riders is a one-time watchable experience that won’t disappoint, especially for fans of horror-comedy. The first half dazzles with its clever mix of humor, suspense, and supernatural elements, elevated by Noufal Abdullah’s crisp direction, Abhilash Shankar’s striking cinematography, and the hauntingly effective background score by Neha Nair and Yakzan Gary Pereira. Strong performances from Mathew Thomas, Merin Philip, and the supporting cast bring both laughs and chills, making the viewing engaging and fun. While the second half struggles with pacing, predictability, and a weaker villain arc, the technical finesse, tight editing, and immersive visuals keep it watchable. In short, it’s a fun, entertaining ride with enough scares and laughs to make it worth your time.
Thiruvananthapuram: The SIT investigating the Sabarimala gold theft case is expanding its probe to include more Devaswom Board officials. The team plans to seek custody of arrested Devaswom Board official Murari Babu for further questioning.
Meanwhile, the interrogation of prime accused Unnikrishnan Potti continues. The Travancore Devaswom Board is set to meet today to discuss legal steps, including approaching the High Court. Murari Babu, who had earlier certified that the stolen gold-plated panels were merely copper sheets, had resigned from his post as vice president of the Perunna NSS Karayogam following controversy. The SIT is also probing the role of Chennai-based Smart Creations, whose owners allegedly have close links to those involved in the conspiracy.
Patna: The political picture in Bihar’s second phase of elections became clearer as 70 candidates withdrew their nominations following seat-sharing adjustments within the Mahagathbandhan (Grand Alliance). With the withdrawals, 1,302 candidates will now contest across 122 constituencies. Congress candidates Satish Kumar, Aditya Kumar, Tauqir Alam, and VIP Party candidate Bindu Gulab Yadav were among those who withdrew. RJD leader Tejashwi Yadav has been declared the chief ministerial candidate of the Mahagathbandhan. The alliance will release its manifesto on October 28. During a joint press conference, senior Congress leader Ashok Gehlot made the announcement. Tejashwi Yadav attacked the ruling NDA, questioning why it has not yet declared its chief ministerial candidate and asserting that BJP would never make Nitish Kumar CM again. He added that this would be Nitish Kumar’s last election and accused his government of corruption and mismanagement. Prime Minister Narendra Modi is scheduled to address an election rally in Bihar today.
Kurnool: At least 25 people were killed and 12 others injured when a private bus caught fire in Chinnettakoor village of Kurnool district early Friday morning. The Volvo bus, operated by Kaveri Travels, was en route from Hyderabad to Bengaluru when a motorcycle collided with it, causing fuel leakage that led to the blaze. Prime Minister Narendra Modi expressed his condolences and announced ex-gratia payments of ₹2 lakh each for the deceased and ₹50,000 for the injured from the Prime Minister’s Relief Fund.