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Veendum Kannur Movie Review

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Veendum Kannur Review

Producer- Latheef Thiroor

Director- Haridaas

Cast- Anoop Menon, Sivaji Guruvayoor, Tiny Tom, Irshad, Sandhya, Riza Bawa, Rajiv Pillai etc.

Music- Robin Thirumala

Review By : Unni R Nair/ Kerala9.com

 

I honestly was confused when I was going to watch ‘Veendum Kannur’; I had no idea how it would turn out to be. But being someone who watches movies of all kinds without preconceptions, I just walked into the theatre with a free mind. Less than two hours later, when I walk out, I am happy and contented. I am satisfied with the film I had just seen and call Haridaas, the direct to tell him he needs to promote the film. (He doesn’t pick my call, could be busy or something!).

 

‘Veendum Kannur’ takes us to Kannur, where politics and violence cannot be separated; political violence has always been part of life in Kannur, in the past many years especially. Jayakrishnan (Anoop Menon), a JNU product who had left Kannur disillusioned by the politics and political happenings and the violence, comes back from Delhi. Anoop, who is the son of the veteran communist Madayi Surendran (Sivaji Guruvayoor), who is also the party secretary, is back in Kannur because of his love for Radhika (Sandhya), who is a journalist. Radhika is also the daughter of Divakaran (Riza Bawa), who has always been the political adversary. Jayakrishnan is provided top security as he is the son of the party secretary and also because Divakaran’s men, who are always ready to strike against political adversaries, could target him. Jayakrishnan is attacked the very day he lands up and there are consequent attacks too. That flares him up and he chooses not to go into hiding or shy away from things. He launches his own kind of movement, a new version of communism, which he feels is the need of the hour. He clashes ideologically with his father as well as with Radhika’s father and spearheads a revolution of sorts. It’s from here that the story takes off.

 

Well, don’t take ‘Veendum Kannur’ as yet another political thriller with the usual ingredients. Yes, you could find some of those elements here and many not-so-passing references to contemporary politics. You could identify characters with those in contemporary politics and who are always in news. But all the same, the writer and the director have played smart and have saved the film from becoming a usual political flick, which you would perhaps not like to see. The film is a balanced approach. There is heroism, but not the usual kind of heroism. There are punch dialogues, but not the kind that you’d see in Shaji Kailas films or Ranji Panicker films. There are moments of thrill, but there are not many explosions and loud action sequences. It’s more of an ideological clash that happens mostly and there is subtle politics that’s discussed than mere power politics and the usual good guys vs. bad guys things. There is no superman kind of hero but at the same time there is heroism in ‘Veendum Kannur’. Hey don’t think I am making it out to be a great movie. It isn’t great movie, but it is decently written and decently directed and is very much worth a watch. There are flaws, but pardonable ones. Take for example the supporting roles, some of which are not well conceived or well written-out. I don’t want to highlight the flaws for this one venture somehow as it’s most likely going to be a low-profile film and hence it would be good if it makes at least some people sit up and think.

 

Anyway, laudable effort, decent work, by writer Robin Thirumala and director Haridaas.

Performance  

The film belongs to Anoop Menon. He plays the role of Jayakrishnan in his usual style and makes it credible. The others in the cast, especially those in key roles are good. Good to see Tiny Tom evolving into a good actor. Sandhya doesn’t have much to do. Some of the minor roles could have been played by better actors.

Technical aspects

Nothing much to say about the technical aspects; there’s nothing extraordinary or bad. It’s all just so so. You may even tend to think that the film would have been better if it had better cinematography and was edited better. Yes, maybe.

Music

I should say that the songs are good, but may not go down with the present generation film viewers in Kerala. For those who are obsessed with the so-called ‘new generation’ films (Hey I am not against the present trend, I have liked some of those excellently made movies, I am just against the ‘new generation’ obsession of the new generation audience), the songs of this film may not have much of an appeal. But they are good nevertheless.

Script

Good work, Robin Thirumala. Of course I feel he could have done more justice to some of the supporting characters, especially those played by Riza Bawa and Irshad, both basically good actors. Still, good work.

Direction

Haridaas has made a good attempt making ‘Veendum Kannur’. He proves that he can make good films, films that talk of issues that relate to contemporary life and politics in a decent manner. Good work!

Verdict:  Decent work, good and worth a watch!

Rating: 3/5

Bachelor Party Malayalam Movie

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Click Here to Enter Bachelor Party Malayalam Movie Gallery

Movie Name: Bachelor Party

Directed by: Amal Neerad

Produced by: Amal Neerad, V.Jayasurya

Written by: Santhosh Echikkanam, Unni. R

Starring: Indrajith, Prithviraj, Nithya Menen, Kalabhavan Mani, Rahman, Asif Ali,Remya Nambeesan,Ashish Vidyarthi

Music by: Rahulraj

Cinematography: Amal Neerad

Editing by: Vivek Harshan

Release date: 14 June 2012

Story: Bachelor Party is an upcoming Malayalam spy action thriller directed by Amal Neerad, starring Indrajith, Prithviraj, Rahman, Asif Ali, Nithya Menen and Remya Nambeesan in lead roles.Music and background score of the film are composed by Rahulraj

Click Here to Enter Bachelor Party Malayalam Movie Gallery

 

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‘Bachelor Party’ Will be Releasing on June 8.

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Amal Neerad’s new film ‘Bachelor Party’ will be releasing on June 8.Rehman, Indrajith, Asif Ali, Kalabhavan Mani, Nithya Menon and Remya Nambeesan are doing the main characters.Script by Santhosh Echikanam and R. Unni. Prithviraj is coming as guest actor.The film produced by Amal Neerad in the banner of Amal Neerad Productions.

The Film ‘’Spirit’’ Will be Releasing on June 7

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Renjith’s new film ‘’spirit’’ will be releasing on June 7. Mohanlal is the hero of the film. He is coming in the role of a novelist.The film is produced by Antony Perumbavoor in the banner of Ashirvad Films.Kaniha is the heroin.Madhu,Thilakan,Nedumudi Venu, Shankar Ramakrishnan are the other stars of the film.

Manoj K Jayan is Going to Take The Role of Hijada

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Manoj K Jayan is coming with a challenging character. He is coming in the role of Hijada in M.G.Sreekumar’s film.The name of the film is “Ardhanari”.Thilakan,Maniyan Pilla Raju,Nedumudi Venu are doing the central characters of the movie.

Idiots Malayalam Movie

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Click Here to Enter Idiots Malayalam Movie Gallery

Movie Name: Idiots

Directod by: K.S Bava

Produced by: Sangeeth Sivan,TP Agarwal

Cast: Asif Ali, Sanusha, Baburaj

Release Year: 2012

Genr: Comedy,Romance

Story : Coming Soon

Click Here to Enter Idiots Malayalam Movie Gallery

 

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Hero Malayalam Movie Review

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Producer- G P Vijayakumar

Director- Diphan

Cast- Prithviraj, Anoop Menon, Srikanth, Yami Gautam, Thalaivasal Vijay etc.

Music- Gopi Sundar

Review By : Unni R Nair/ Kerala9.com

 

Two questions that we need to ask ourselves, after we had seen Diphan’s Prithviraj starrer ‘Hero’:

  • What did I expect out of the film?
  • Why is it that ‘Hero’ is not as big a crowd-puller as Diphan’s earlier ‘Puthiya Mugham’?

Find honest, realistic answers to these questions and you get a review- your own review- of ‘Hero’.

Lemme begin with my answers to these questions….

Well, to be honest, I expected ‘Hero’ to be almost what it is. Of course I did expect it to be a bit more fast, crisp and a bit different.

Why ‘Hero’ is not as big a crowd-puller as ‘Puthiya Mugham’ is something that we got to ponder on. Maybe the new kind of films that are made these days- like ’22 Female Kottayam’, ‘Diamond Necklace’, ‘Ordinary’ etc- lead the audience to expect Diphan and Prithviraj to deliver something on those lines. Or maybe Diphan failed to work out the subject the way it should have been worked out? Some flaws have come in, which if avoided, could have made the film much better.

‘Hero’ tells the story of fight-artists who work in films. The film takes off with Dharmarajan Master (Thalaivasal Vijay), who has retired from films as a stunt artist, worrying about how to get his daughter married off. His wife advises him to go meet director Adityan (Anoop Menon), who is going to make a new film. Adityan, who shares a good bond with Dharmarajan, agrees to let him compose one fight in the film, though he had already committed the work to Uday (Bala), who is Dharmarajan’s nephew and disciple. Adityan asks Dharmarajan to use Uday’s assistants and Dharmarajan goes to Uday to discuss that. But Uday doesn’t cooperate and even insults him. It’s then that Dharmarajan, who is left with no options now, goes and meets Antony (Prithviraj), now known as Tarzan Antony, whom he had sent away long back and who has now forgotten all about films and works more like a goonda and lives in a slum. Antony at first refuses, though politely and with all due respect to his guru, but then he later agrees. Thus Antony makes a comeback, performing an action sequence for the hero of the film, Premanand (Srikanth), who is Adityan’s friend and also a poor actor. (Premanand is also the son of the State Home Minister). From here the story takes off and moves of course on predictable lines.

As for me, I expected the film to move on predictable lines and I don’t see that as a negative thing, if that doesn’t get in the way of my enjoying a film. I wanted and expected to see Prithviraj fighting, dancing and playing to the masses and that’s what ‘Hero’ is.

But then, there are things that I didn’t like about the film. Let me list them out (Diphan, my dear friend, please excuse me, this is my job!)

  • The introduction of the hero, isn’t it old fashioned and a bit overdone?
  • The songs, most of them seem to be choreographed in a similar manner, with the hero dancing almost the same way in all. The songs too are quite unimpressive.
  • The last fight, it just goes on and on and on.
  • Premanand, it’s said, is scared of fights and can’t do them on films without stunt-artists and dupes. Then how does he manage to fight so great with Antony in real, in the climax?

The rest of the film is of course not bad; I enjoyed it, except the above-said things and I feel that if it had been a bit more crisp and these aspects taken care of, ‘Hero’ would have been a real good mass movie.

Performance

Prithviraj suits the role of Tarzan Antony and he does justice to the role. Thalaivasal Vijay and Anoop Menon score in their respective roles while Srikanth plays his part satisfactorily. The heroine Yami Gautam is just about OK. All the others fit into their respective roles. Bala’s character just vanishes at one stage, but he does fit into his role perfectly well.

Technical aspects

The technical aspects are all in tune with the mood and the tempo, but we do feel that the film could have been chopped a bit more at the editing table and if so, it would have been better.

Music

The songs are not at all impressive. Gone are the days when people would love to hear and applaud for songs like ‘Tarzan Antony, coming back to cinema…”. The songs are all almost similar and picturised almost similarly.

Script

Vinod Guruvayoor, who has done the script, should have done it in a better manner. As of now, there are many loose ends. If he had taken care of that, the film would have been better.

Direction

Not bad Diphan, but the film could definitely have been better. The kind of packaging that had gone into the making of ‘Puthiya Mugham’ should have been adopted here and if so, ‘Hero’ would have been much better. So, better luck next time!

Verdict:  It’s what you want it to be; not bad, but could have been much better

Rating: 2.5/5