Chandigarh: Five people were killed when a car collided with a truck in Gurugram. The accident took place on the Delhi-Jaipur highway near Binaula village in Haryana. The car crashed into the back of the truck this morning.
All five occupants of the car died at the scene. The dead have not been identified. The body was shifted to the hospital.
Kochi: The crime branch in the high court has asked for three more months to complete the investigation in the case of attacking the actress. The progress report of the case was submitted to the Crime Branch court.
The Crime Branch wants more people to be questioned in connection with the case. Those in the film industry will also be questioned. The list of those to be questioned was given to the Crime Branch court.
Thiruvananthapuram: Health Minister Veena George has said that arrangements have been made in medical colleges to provide specialist services to those coming from Ukraine. The treatment is coordinated in a way that solves the physical and mental problems of those who come from a war situation. She said a special team would be set up in all medical colleges for this purpose.
Control rooms at medical colleges have been warned to coordinate calls related to returnees from Ukraine. Anyone with any difficulty should contact this control room. Beds will be reserved for them in covid ICU, Non covid ICU, and Pay wards. The Triage Duty Medical Officer and the Casualty Duty Medical Officer will be alerted to deal with any emergency.
A special staff nurse will be assigned to assist. The ambulance will be arranged. Their health problems will be examined by the community medicine department. Counseling services will also be provided to those in need. Those in need of counseling can contact Directions 104 and 1056.
Arrangements have been made to monitor their health at four international airports and domestic airports in the state. Health desks have been set up at airports for this purpose.
Kyiv: Russia seizes Kherson in Ukraine. Russia says the city center is under control. Russian Foreign Minister Sergei Lavrov has said that Western nations are raising the threat of a nuclear war in Ukraine and that Russia is not considering a nuclear war.
He told foreign media that Russia’s limited needs were needed and that the problems with Ukraine could be resolved. Russia intends to eliminate the threat posed by Russia from Ukraine. That is why the Russian army entered Ukraine. Ukraine should not have weapons that threaten Russia.
Ukraine must destroy all such weapons. The Russian Foreign Minister’s response comes ahead of the second round of Russia – Ukraine peace talks.
Thiruvananthapuram: Another 166 Malayalee students who arrived in Delhi from the conflict zone in Ukraine have been repatriated to Kerala. They were airlifted to Nedumbassery Airport on an Air Asia chartered flight arranged by the state government from Delhi. There are 166 students. There are 109 boys and 57 girls in the group.
Subsequent travel arrangements were also made for the students under the auspices of the State Government. Buses ply to Thiruvananthapuram and Kasaragod. Students are delivered to the desired locations. It was also prepared under the leadership of RTO for those who need other vehicle facilities.
•ONE WORD: Mammoottyy’s thrilling and stylish action avatar.
•STORY IDEA:
Michael Anjoottikkaran (Mammootty) is an ex-mafia gangster turned businessman who lives with his large big family in Kochi. His word and decision are final in his family which makes some disturbances for other family members. His past activities will make him go through some serious unfortunate events and threats to his loved ones so how Michael Anjoottikkaran saves his family is the rest of the story.
•ANALYSIS INTO DIRECTION, STORY, SCREENPLAY & DIALOGUES:
Bheeshma Parvam is directed by Amal Neerad and written by Devadath Shaji and Amal Neerad also joins in the writing. Ravi Shankar has written the additional script and RJ Murugan does the additional dialogues. The film is produced by the director Amal Neerad under his production company of Amal Neerad Productions and the film is distributed by A & A Release. With a U/A Censor certificate the film is running in theatres holding hundred percent occupancy with a running time of 144 minutes.
What makes Bheeshma Parvam special is the making of Amal Neerad, his direction and his execution-style is what makes the movie worth watching. The direction held by Amal Neerad was completely passionate, his clear cut idea on how to execute the film and what are all the things needed to make the audience happy was brilliantly added in Bheeshma Parvam. The film offers many best stunning moments, the various elements which were added to the screenplay will give many thrilling moments. The audience won’t feel any kind of lag, from the beginning till the end the film provides the best scenes to cherish. Not even a second was boring, the film was having the power to make us thrill and engaging which will compel us to make some applause for the terrific scenes of Mammootty.
The screenplay was filled with accurate scenes and the keen making of Amal Neerad made the entire film look stylish. The making was classy, how he had directed the film and his way of approach in making according to the script proves his intelligence in film making. Also how Amal Neerad used an actor like Mammootty needs to be specially mentioned because he had utilised every single acting skill of Mammootty. Amal Neerad’s ideas on how to perform and how to undertake the character and finally how to express the different shades of the character was glaringly seen in the performance of Mammootty. After Big B Amal Neerad is teaming with Mammootty so he knows the expectation of the audience therefore he had cleverly understood those expectations and directed the film in a masterly manner. So the film won’t disappoint anyone, one will be happy after watching Bheeshma Parvam because it’s the recent best of Mammootty.
The mix of elements in the script was catchy, the film goes through different emotions such as trust, romance, family sentiment, betrayal and revenge so how all these are connected with the situations and how these emotions pass through the various circumstances makes the writing best. The screenplay was added with many thrilling scenes and action sequences play an important role in the script. Also, some twists and climax suspense are added to the writing which matched the scenarios. How the script and making makes an impact in the viewing experience is the highlight, everything was placed at the right time and how the story connects to the main plot and its unfolding incidents was interesting to watch. How the story is going to step into the main plot was making the theatre experience exciting and finally, when the story reached the actual genre of revenge the film was making the mind gripping. An eagerness to know what is next was able to be provided by the film so throughout the first half and the second half the movie will keep us hooked on, offering the best cherishing moments to make some whistle for Mammootty.
The dialogues were completely influencing, Amal Neerad movies always promise to give punch dialogue and Bheeshma Parvaam doesn’t make that expectation wrong. The dialogues in the film were extraordinary, lots of dialogues will compel us to make some huge clap. Mammootty’s mass scenes had the backup of strong influencing dialogues. All the crucial scenes are getting ended with some impactful dialogues and none of them went wrong. While watching I was sure that the writers were having a clear cut idea of how to impress the audience through the words and the writers had done their part well and had given the correct dialogues for every actor.
The drawback I felt is the predictable way of storytelling, after the 15 minutes of the film we will get a clear idea about the whole story, how the story is going to be and how the plot is going to end. This predictable story is not a major drawback because this predictability was neutralized with the class making. The making will help the viewer’s mind not to think deeply about the plot, Amal Neerad provides the stylish direction and the performance of Mammootty will make us forget about this issue. Another negative was the climax, the ending was good but wasn’t fully satisfying. An impact in the climax was slightly missing, how the villain is getting killed and how the hero traps him lacks a punch, the climax suspense was not having the right amount of impact. I wish the climax could have been made better but still, it was good to watch but an extra power was missing, made simple and the ending was hurried.
PERFORMANCES OF ACTORS:
Mammootty is the antagonist and the casting of Bheeshma Parvam includes Soubin Shahir, Sreenath Bhasi, Farhaan Faasil, Shine Tom Chacko, Dileesh Pothan, Sudev Nair, Jinu Joseph, Anasuya Bharadwaj, Lena, Nadhiya Moidu, Anagha, Veena Nandakumar, Srindaa, Harish Uthaman, Maala Parvathy, Abu Salim and Pauly Valsan.
Bheeshma Parvatham offers one of the stellar performances of Mammootty. It was like a classic performance, the attitude of the character which he maintained throughout the film was one of the imororat aspects which I liked. His dialogue delivery was crammed with a style and the spontaneous way of expressing the dialogue was also adequate. In the dialogue his timings were precise and the anger which he denotes was also great. The action sequences were energetically done by Mammootty and the manner he performed in the action sequences was amusing to watch. Age is just a number, Mammootty had once again proved it, his commitment was seen throughout and as usual, he had given his best. Mammootty’s character was having an unusual attitude and how he attained it and also how he exhibited it was fascinating to watch. His screen presence was making the theatre experience awesome and his fans were celebrating his brilliant show, a recent best FDFS.
Soubin Shahir as Ajas Ali did a convincing performance. His fight in the second half was nice to watch. The emotional sequences were handled perfectly and shared a great space with Mammootty in the second half. Sreenath Bhasi as Ami Ali shined with his cool youth look, his dressing of the ’80s looked charming. His action sequences in the first half and attitude with anger matches the script. Farhaan Faasil as Paul Anjoottikkaran and Shine Tom Chacko as Peter Anjoottikkaran appear to play a throughout character with negative shade and they portrayed their role well with the best negative touch. Sudev Nair as Rajan is the main villain and makes the appearance just before the interval and he delivered a fine performance with an awesome attitude and flawless dialogue delivery. Dileesh Pothan as James Anjoottikkaran, Jinu Joseph as Fr. Simon Anjoottikkaran, Harish Uthaman as Martin Anjoottikkaran, Nisthar Sait as Mathai Anjoottkkaran and Dileesh Pothan as James Anjoottikkaran had done their supporting roles with the negative villain images, everyone did complete justice to their respective characters. Nedumudi Venu as Iravippilla and K. P. A. C. Lalitha as Karthyayaniyamma was like a silent cat, their revenge mind was beautiful to watch and both did their best. Anasuya Bharadwaj as Alice Anjoottikkaran, Lena as Susan, Srindaa as Rasiya, Veena Nandakumar as Jessy and Nadhiya Moidu as Fathima Ali do some vital roles and their performance was satisfying. Anagha as Rachel Anjoottikkaran was amazing, her looks and her romantic scenes with Sreenath Bhasi were lovely to watch.
MUSIC& BACKGROUND SCORE:
Sushin Shyam had composed the music and background score for Bheeshma Parvam. There are two good songs in the film with some extraordinary background score.
The song “Parudeesa” sung by Sreenath Bhasi is a pure melody, the tune made by Sushij Shyam makes it different and the track stands out in my repeating mode. The lyricist Vinayak Sasikumar had made the song unique through his thoughtful words. As usual, the voice of Sreenath Bhasi was also amazing to hear. The portions of the chorus singers were also pleasing in the hearing. Finally, when heard at the theatre the feel through the big screen was cheering and the visual was lending many positive emotions.
The second song “Aakasham” was like a slow poison, the tune was provoking to remind many beautiful memories. The vocals of Hamsika Iyer and Kapil Kapilan were lovely, a smooth feel was all over and while I was hearing the song it took my mind to a different feel because of their voice. The lyrics of Rafeeq Ahammed we’re catchy and the tabla note in the song was superb. The third song ‘Rathipushpam’ sung by Unni Menon was good but not great, some of the words in the lyrics were sexual.
The background score tuned by Sushin Shyam was extremely powerful and those background scores are one of the winning highlights of Bheeshma Parvam. The background score at the action sequences was flawlessly made and it helped the action sequences to make a mass of heroic feel for Mammootty. The punch dialogue was maintaining an extra influence due to the BGM, whenever these scenes were ending it was backed up by the cheerful background score. The electronic jazz background score was mesmerising and it had given a rocking experience inside the theatre causing applause and loud whistles. The emotional sequence was also balanced by the right background score. A rare signature tune is given for the character of Mammootty and those background tunes had created an extraordinary impact in the viewing experience. So the soundtrack and background score tuned by Sushin Shyam was excellent, one of his best passionate works.
TECHNICAL ASPECTS:
Amal Neerad movies are always rich in technical aspects, the kind of stylish making with his advanced technical work by his team makes Amal Neerad film unusual so the expectation was high and Bheeshma Parvam is a profound film of shining technical skills. The cinematography by Anend C Chandran was striking from the very beginning, his shots and his frames were beautiful. The culture of Kochi and the old 90’s style was genuinely captured according to the script. The intense visuals were calibrated to establish the skills of every actor, especially their close-up shots which were enriching with their acting talents. The different moods and emotions of the actors were accurately caught and their various expressions were taken vividly. In the action sequences, the camera movements were at the correct points and the way the cinematographer made those action scenes gave me a thrill and were superb to watch on the big screen. The lighting methods used in the indoor shots and also at the action scenes were faultless, the mix of red light at the action was looking stylish. The editing of Vivek Harshan doesn’t make any mistakes, his cuts were at the right place. The transition of the scenes was also perfect. The colour-grading was very much impressive, depending on the type of stations the grading also changes so it created the right mood. The costume department had given some authentic costumes for every character and it matched the 90’s period, the way the characters dress and the style on their costumes reminded the 90’s cool style. The person who had choreographed the stunts had done a great job, the stunts of Mammootty were exciting and the action suited to his style.
CONCLUSION:
So overall to conclude Bheeshma Parvam had given me a wonderful cinematic experience, I had enjoyed watching it on the big screen with a 100 percent housefull audience. The powerful making and the pleasingly written script makes the movie interesting and the energetic performance from Mammoottyy was a treat to watch. The film has got the right factors to entertain us and won’t disappoint anyone. Therefore I will recommend Bheeshma Parvam to everyone and it’s an Amal Neerad Padam with Mammootty and that’s just enough, so grab the tickets and watch it on a big screen.
Thiruvananthapuram: Another 154 Malayalee students have returned to the country from Ukraine. Since the launch of ‘Operation Ganga’, a total of 398 Malayalee students have returned home. The state government had arranged a special chartered flight to speed up their journey to Kerala as more students arrive as the rescue mission progresses. The flight was carrying 36 students who arrived in Delhi on Tuesday night and were resting at Kerala House and 134 students who arrived in the morning. Special buses have been arranged from Nedumbassery to Kasaragod and Thiruvananthapuram under the leadership of NORKA to take students home. Of those who arrived in Delhi, seven were sent to Kochi on an Indigo flight at 6.55, and two were sent to Kannur on an Indigo flight at 6.55. Five people will be sent on an Air Asia flight at 8.10 and five on an Indigo flight at 10.45 to Thiruvananthapuram. Of these, 395 have so far been repatriated from Delhi and Mumbai. Three are from outside Kerala. Of these, one is based in Delhi and the other in Mumbai. One returned to his parents in Abu Dhabi from Delhi. Four more aircraft, including an Indian Air Force flight from Bucharest, are arriving in Delhi today. Eight flights will be operated tomorrow from Poland, Hungary, Romania, and Slovakia to Delhi and Mumbai. Arrangements are in place at the airport to expedite the arrival of all Malayalee students arriving on these flights to Kerala.
Kyiv: Another Indian student died in Ukraine today. The deceased has been identified as Chandan Jindal, 22, of Punjab. He was undergoing treatment for paralysis. Chandan was a student at the Vinnytsia National Pyrogov Memorial Medical University in Ukraine. Chandan was treated at the Vinnytsia (Kyivska Street 68) Emergency Hospital for a long time after suffering a stroke.
Jindal’s father wrote a letter to the Government of India requesting that arrangements be made for the repatriation of the body. An Indian youth was also killed in a shelling attack in Kharkiv.
The much-awaited Prabhas and Pooja Hegde starrer Astro thriller Radheshyam’s special trailer has been released. The Curtain Raiser video was released by activists at a ceremony in Mumbai. The trailer comes with the tagline of a battle between time and love.
The film also stars Prabhas, actress Pooja Hegde, director Radhakrishna Kumar, producers Bhushan Kumar, Vamsi and Pramod. The trailer, which was released ahead of its release on March 11 across the country, has been enthusiastically received by fans.
The romantic film is set in Europe in the 1970s and is full of suspense. Filmed in Italy, Georgia and Hyderabad, the film features state-of-the-art visual effects and beautiful visuals.
Pooja Hegde plays the inspiration when Prabhas arrives as Vikramaditya, a handwriting expert. The highlight of the film is the chemistry between the two. The film is produced by Bhushan Kumar, Vamsi and Pramod under the banner of UV Creations, T-Series and directed by Radha Krishnakumar. The film also stars Sachin Khedekar, Bhagyashree, Priyadarshi, Murali Sharma, Sasha Chetri and Kunal Roy Kapoor in the lead roles. The beautiful songs of Radheshyam are composed by Justin Prabhakar. Cinematography: Manoj Paramahamsa, Editing: Kotagiri Venkiteshwara Rao, Action: Nick Powell, Sound Design: Rasool Pookutty, Dance: Vaibhavi, Costume Designer: Thota Vijayabhaskar, Ikha Lakhani, Executive Producer – N. Sandeep.
Pune: Of the 20,000 Indians stranded in Ukraine, a total of 6,000 have been repatriated. Union Minister of State for External Affairs V Muraleedharan said the Center was making every effort to repatriate the rest safely.
Of the 20,000 people stranded in Ukraine, 4,000 were repatriated to India before February 24. As of Tuesday, 2,000 students had been repatriated to India. Muraleedharan said defense planes were being used for rescue missions.
He said students were being transferred to India with the help of Ukraine’s neighbors Romania, Poland, Hungary, and Slovakia. The Central Government has launched ‘Operation Ganga’ to bring back Indians stranded in Ukraine.
The minister said facilities would be provided for students once they cross the border into Romania.