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Face to Face Malayalam Movie Review

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 Face to Face Malayalam movie Review

Producer- M.K.Nassar

Director- V.M.Vinu

Cast- Mammootty, Siddique, Kalabhavan Mani, Vijayaraghavan, Ragini Dwivedi, Roma etc.

Music- Alphonse Joseph

 Review By : Unni R Nair (Kerala9.com )

The posters had led me to expect ‘Face to Face’ to be an investigative thriller. It did begin on that note, but half way down the line it went for sort of a twist and then when it ended, it ended on a totally different note. But does that (and that alone) make me pass the verdict that the film is intolerable? No way!! It isn’t intolerable, I may say. But the kind of plot that V.M.Vinu seeks to narrate in the film, isn’t it a bit outdated? The storyline, especially the second half of the film, seems more like that of a film of the late 1980s or early 1990s. And there are flaws too. So, in total, though ‘Face to Face’ is not intolerable, it doesn’t leave much of an indelible impression on our minds.

‘Face to Face’ begins as the story of Balachandran (Mammootty), a shrewd cop who is under suspension and who is now busy doing real estate business and at all other times, boozing to his heart’s content. And then, a young chap, a terribly ‘bad guy’ and the son of an influential politician Varkey (Vijayaraghavan), gets murdered in the most brutal of manners. Superintendent of Police Ramadas (Siddique), with whom Balachandran shares a personal rapport as well, takes charge of the investigation, assisted by Circle Inspector Abdul Latheef (Kalabhavan Mani), who has always been an admirer of Balachandran. Ramadas wants Balachandran to be part of the team and offers to initiate steps to deal with the suspension. But the latter refuses and the investigation begins. Now, Ramadas, by sheer nature of his job, has Balachandran too among his list of suspects. This because Balachandran had had a grudge on the murdered guy, with whom he has had serious issues in the past. Balachandran faces Ramadas’ queries and convinces him of his innocence. Then we see Balachandran helping in the investigation by secretly making his own probes into the case and passing on information to Latheef, without Ramadas’ knowledge. But then, at half-time, you are destined to get a shock; something unexpected would take place and the rest of the film seeks to find answers…

Yes, I didn’t get bored while watching ‘Face to Face’, but all the same I realize that there’s not much, or to be precise, nothing at all, that remains etched on our minds once we leave the theatres. Hence a wasted effort, wasted in all respects. But I watched it with some amount of pleasure since ‘Face to Face’ was far better than Mammootty’s last film, ‘Jawan of Vellimala’. For me, the film seems watchable in parts too, but as a whole it’s far from impressive…
Performance

Mammootty’s presence is the only thing worth mentioning in the film. He has done his part with style and in a convincing manner, but the flaws in the script works against the actor and his film to a great extent. The others have lent able support and do their respective roles convincingly.
Technical aspects
Nothing negative to jot about the technical aspects of the film. The technicians have lent full support, they have tried their best to give the film a youth-oriented feel, but sans substance, ‘Face to Face’ staggers and fails to deliver…
Music

The songs are not that impressive by way of the lyrics and the tunes, but the director has pictured them in a trendy manner and I would say the picturisation is not bad, though not great either.
Script

Script by Manoj is the worst thing about ‘Face to Face’; incongruous parts that don’t sync together and sequences that could have been worked out better. The film could have been done in a much better manner.
Direction

Though V.M.Vinu is in full control and the film is not intolerable, the script that he has chosen to work on plays foil and the film, which could have made for a watchable film, leaves much to be desired…
Verdict- Unimpressive show, gets derailed due to poor script…
Rating: 1.5/5

INTERNATIONAL MALAYALAM FILM AWARDS 2012- IMFA

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International Malayalam Film Award Function 2012

International Malayalam Film Awards approach can be seen from the way it’s handled. A strict selection process that goes in getting the nominees itself is different, to the way the night is planned to the audience to the premium-ness and exclusivity maintains through the event, its way beyond the ordinary. To set a trend in the awards industry, International Malayalam Film Awards, works on an ‘invited only’ guest list of approximately 900 prominent people from various walks of life. Being an official dinner event by the Dubai Government and Dubai Tourism department, International Malayalam Film Awards delivered a niche networking audience along with the celebrities. The venue was highly lauded by the invite only event with some of the finest crowds of various nationalities. Foreign dignitaries and Ambassadors also attended the event along with some leading Investment bankers. In support with the Dubai Government, along with the Union day celebrations, Dubai witnessed a great evening that lives up to its diversity. The awards night also premiered ‘Dubai Art Exhibition’ showcasing a grand portrayal of select art at the Burj Khalifa steps. Awards Categories and Winners Iconic FIlm : Ayalum Njanum Thammil Iconic Director : Aashiq Abu – 22FK Iconic Male Actor : Prathap Pothen – Ayalum Njanum Thammil & 22FK Iconic Female Actor : Reema Kallingal – 22FK Iconic Screen Play – Bobby Sanjai – Ayalum Njanum Thammil Iconic Cinematography : Lokanathan – Ustad Hotel Iconic Music Director – Gopi sunder – Ustad hotel Iconic Lyricist – Anu – Thattathin Marayath Iconic Male Singer – Sachin – Thattathin Marayath Iconic Female Singer – Remya Nambeesan – Thattathin Marayath Iconic Editor – Vivek – 22FK Iconic Art Director – Biju Kumar – Ustad Hotel Iconic Poster Design – Ajay Menon – Papaya Iconic Short Film – M S Praveen, Charithram Life Time Achievement – Adoor Gopalakrishnan IMFA Honors – Gautham Vasudev Menon, Rajeev Nath, Joshy
— at Armani Hotel.


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Mad Dad Malayalam Movie Song Oru Naalum Piriyathe

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Mad Dad Malayalam Movie Song Oru Naalum Piriyathe

Oliporu

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Fahad Fasil is doing two different roles in the film ’Oliporu’. A.V.Sasidharan is the director of the film.Kalabhavan Mani, Thalae Vasal Vijay,Sidharth Bharathan,Sareena Vahab are the other stars of the film. Heroin will be a new face. The film is producing in the banner of Round –up Cinema. The film has importance on poetry and music. The script by poet Gopi Krishnan.

Singer Ranjini Jose is getting married

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Ranjini Jose is famous as a singer and actor. She is getting married to Ram Nair from Cochin. Ram is an engineering graduate. Ranjini was having an affair with Ram for past few months.Finally, their parents decided to make them one. The date of the marriage has not yet fixed. Ranjini’s albums and songs are very famous.She also acted in the director Shaji Kailas film ‘Red Chillies’ with Mohan Lal.

 Ranjini Jose Marriage Reception Photos Click Here

 

Ranjini Jose Marriage Photos Click Here

 

Click Here to Enter Ranjini Jose Engagement Photos

 

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Amrita TV Celebrates Sabrimala Pilgrimage Season With “Saranapadham “

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Amrita TV’s Saranapadham is a quest for spiritual salvation to Sabarimala, along a sacred path never traversed before, covering the history of the temple from the first installation of the presiding deity, traveling through centuries in time with the Pandalam royal family, Manikantan, Vavar and delving into the legends and lore, faiths and beliefs, rites and rituals related to the most famous Sastha temple in the world.

Complementing the religious fervor of the faithful during the Mandalalm pilgrimage period, Saranapadham beads together historical details, practical information, Ayyappa devotional songs, Sastha temple travelogues into a rosary of facts which will be telecast every weekday at 5 pm in the evening till Makravilakku on January 13th on Amrita TV.

The episodes go back to the mythological belief that the Sastha prathishta was done by none other than Parasurama in Mathangamala, as one of the five ‘panchashastha’ temples erected by the sage 5000 years ago, making it one of the earliest constructed temples in the country; narrates the exploits of the dacoit Udayanan and his horde of desperados who destroyed the shrine and shattered the idol, the Pandalam dynasty who adopted it as their guardian deity, the era of Manikantan or Ayyappa who unified the Vaishnavities and Shaivities, his inseparable companion Bavar who crossed the ocean in an Urus from Arabia, Veluthachen, instrumental in enrolling Manikantan in Kalari to master martial arts and the defeat of Udayanan by Manikantan and his friends, the punaprathista of the idol and so on.

On an informative plane, Saranapadham captures the amazing experiences of staunch Ayyappa believers, Guruswamys who have completed a century of pilgrimages to Sabarimala, near death accounts where faith alone saved the lives of devotees, narrow escapes from tigers on the prowl in the dense undergrowth, early films on Swami Ayyappa and accounts of the risks undertaken by the crew who braved thorns and stones to shoot the film on location decades ago; entertains with songs from the Ayyappa devotional albums of MG Sreekumar, Sharreth, Madhu Balakrishnan ; gives practical information on the traditional trek routes to the shrine via Erumeli, Vandiperiyar and Chalakayam, the geographical remoteness of the temple nestling in the middle of 18 mountains surrounded by dense forest, the stopovers enroute to the sanctum, the importance of the sacred Pampa, spiritual discipline required for the vritham, Lord Ayyappa as a symbol of secularism and religious amity etc.

Body and mind cleansed by 41 days of severe austerities, while the black clad Guruswamys trek up the steep inclines of Sabarimala toward spiritual realization, Saranapadham acts as a metaphorical journey inwards, to an affirmation of one’s own belief in the Eternal.

Amrita TV
Smitha Sivaji

Anoop Menon and Jayasurya in ’97 Maharajas’

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Anoop Menon and Jayasurya are joining again for the film ’97 Maharajas’. Basheer Muhamed is the director of this film. The film depicts the life of 7 former students who passed out from Maharajas College in the year 1997.Saiju Kurup,Sidharth Bharathan,Tini Tom,Arun, Nandu,Ramesh Pisharadi, Mamukoya are the other stars of the film.

Jayaram In ‘Lucky Star’

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Jayaram and Mukesh are doing central characters in the film ‘Lucky Star’.Deepu Anthikad is the director of the film. Deepu’s father is the brother of director Sathyan Anthikad. The film depicts the story of a couple whose life changes after the birth of a boy. TV serial actress Rajana Narayankutty is doing the heroin character. The shooting will be commencing on this month.

KPSC Lalitha Got ‘Thoppil Bhasi Award’

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Malayalam actress KPSC Lalitha has got ‘Thoppil Bhasi’ award. The award will be presenting to Lalitha on December 8 at Thiruvananthapuram. The award consists of amount of Rs.33333/- and memento. The award committee has also considered the nominations from the public. The award committee judged that KPSC Lalitha has done many social responsible characters and her acting is excellent.

Mamtha And Indrajith Join Hands Together

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Mamtha and Indrajith join together again. The name of the film is ‘Paisa Paisa’. Prashanth Murali is the director. The film depicts the influence of money in human life. Aju Varghese is coming with Indrajith in the hero role. Kathal Sandhya, Apoorva Bose,Aparna Nair,Anoop Chandran are the other stars of the movie.

Karmayodha Malayalam Movie Official Trailer

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Karmayodha Malayalam Movie Official Trailer

Ezhamathe Varavu Malayalam Movie

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Click here To Enter Enter Ezhamathe Varavu Movie Gallery

Directed by: Hariharan

Produced by: Hariharan

Written by: M. T. Vasudevan Nair

Screenplay by :M. T. Vasudevan Nair

Story by: M. T. Vasudevan Nair

Starring :Indrajith,Bhavana,Vineeth,Vinu Mohan

Music by: Hariharan

Cinegraphy :mato S. Kumar

Editing by: Bavan Sreekumar

Studio: Gayathri Cinemas Enterprises

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