Olipporu Malayalam Movie Official Trailer
Asif Ali with Nithya Again
Young stars Asif Ali and Nithya Menon are again acting together. The name of the film is ‘To Noora With Love’. Anil in Anil- Babu team is directing this film. The script of the film by G.S. Anil. Violin, Apoorva Ragam and Bachelor Party were their previous films. Asif is now busy with the shooting of the film ‘Pakida’. Nithya is the doing Thelungu film, that is the rmake of ’22 female Kottayam’. The shooting of the film will start soon.
Sreenivasan Is Coming Back In Hero Role
We can’t forget the character ‘Thalathil Dineshan’ and his complexes in the film ‘Vadakkunokkiyanthram’. Sreenivasan presented that role well. Now Sreenivasan is again doing a similar role in the new film ‘Kannadi Talkies’.Sreenivasan and Lal are doing the central characters of the film. Sreenivasan is doing the role of Theater Manager.Vijaykumar,Vijayan Karanthur,Mamukoya, Indrans, Archana Kavi and Lakshmi Sharma are the other stars of the film.
Zachariyayude Garbhinikal Official Trailer
Zachariyayude Garbhinikal Malayalam Movie Official Trailer
One By Two Malayalam Movie
One By Two Malayalam Movie
Director : Arun Kumar Aravind
Producer : Rakesh
Written : Jeyamohan
Music : Gopi Sundar
Click Here To Enter One By Two Malayalam Movie Photo Gallery
Arikil Oraal Remya Nambeesan Dance Song Video
Arikil Oraal Remya Nambeesan Dance Song Knavil Kanavil Video
Prathap Pothan Is Coming Back To Direction
Actor Prathap Pothan is wearing the hat of director again. He is doing the new film after a long gap of his super hit films Daisy, Oru Yathramozhi and Rathubedham. The story and other things are fixed. Prathap Pothan told that the hero role is doing by one of the main stars in Malayalam. But he has not revealed more details about the movie. Prathap Pothan is famous as an actor, script writer, producer and director. He has also proved his expertise in Malayalam, Tamil, Telugu and Hindi.
Dileep in ‘Marayada Raman’
The shooting of the movie ‘Marayada Raman’ will start on December. Dileep is doing the hero role of the movie. Krishnakumar is directing this film. His previous films were ‘College Days’ and ‘Kaanji’. R. B. Choudari is producing this film in the banner of Super Good. The script of the film by Sibi-Udaya Krishna team.
Neelakasham Pachakadal Chuvanna Bhoomi Review
Neelakasham Pachakadal Chuvanna Bhoomi Review
Producer- Sameer Thahir
Director- Sameer Thahir
Cast- Dulquer Salman, Sunny Wayne, Surja Bala, Dhrithiman Chatterjee, Joy Mathew, Vanitha Krishnachandran etc.
Music- Rex Vijayan
Review By : Unni R Nair (Kerala9.com )
Sameer Thahir takes us on an enchanting trip this time, with his ‘Neelakasham Pachakadal Chuvanna Bhoomi’. The cinematographer-turned-director, who had earlier given us ‘Chaapa Kurish’ and ‘Esha’ (‘Esha’ is one of the five films in ‘5 Sundarikal’), this time explores a totally new terrain in Malayalam Cinema; and I should say that despite the slight lag that has come in, especially in the latter half of the film, it’s simply marvellous. Kudos, Sameer and team!!
‘Neelakasham Pachakadal Chuvanna Bhoomi’ traces the journey undertaken by Kasi (Dulquer Salman) and his close pal Suni (Sunny Wayne) on their motor-cycles, starting from Kerala and moving northwards. At the start it’s said that they are out without a destination in mind and that Suni is accompanying Kasi out of his own choice. Kasi’s decision was to go alone and he had told Suni that he’s just going away, maybe to the Himalayas. When Kasi finally kick starts his journey, he finds Suni waiting on the road for him, with a bike that he has taken from his uncle. Together they begin the trip. Though Kasi doesn’t say it, both he and Suni know very well where they are going. They pass through Andhra and arrive at Puri, from where they pass through Konark, places in rural West Bengal, Kolkata etc and move on, towards Nagaland. En-route they do meet people, all of whom have their own stories to tell and with whom Kasi and Suni relate in some way or the other. Their final destination however is Nagaland, where lives Assi (Surja Bala), Kasi’s sweet-heart.
The highlight of the film is that every single frame in it is beautiful. The locations are all well-chosen, the journey is well-narrated and it just flows on, like a slow river. You get the feel that you are sailing through a river, taking in the diverse sights at different spots on its banks and at the same time moving on to a final destination…Well, for those fed on formula films and for fans of Dulquer Salman and Sunny Wayne, the film may seem lagging in the second half. But lag or no lag, ‘Neelakasham Pachakadal Chuvanna Bhoomi’ is a film that stands out as exquisitely beautiful and which is definitely not your usual road movie.
Performance
Dulquer Salman does a commendable job as Kasi and deserves real appreciation. Sunny Wayne lends able support while Surja Bala is also good. Dhrithiman Chatterjee and all others do their parts quite convincingly.
Technical aspects
Excellent cinematography, by Gireesh Gangadharan, is of course the highlight of ‘Neelakasham Pachakadal Chuvanna Bhoomi’. You just can’t take your eyes off the beautiful frames; yes, it’s beauty and nothing but spell-binding beauty, from start to end. Sreekar Prasad has also done a wonderful job as the editor.
Music
Rex Vijayan lends able support on the music side; the songs are all good.
Script
Script by Hashir Mohamed is excellent. The way the story is blended with characters and their lives that we meet in the course of the journey and the way events from Kerala’s recent past are interwoven with the narrative makes it all interesting. Good job! It’s the splendour, the diversity of life that the film unravels and we travel, along with the protagonists, from one point to the other…
Direction
Sameer Thahir proves it once again. He’s indeed a director worth reckoning. As for ‘Neelakasham Pachakadal Chuvanna Bhoomi’, it’s a film in which Sameer puts in his heart and soul, directing it with élan and also imparting to it a beauty which only a cinematographer-turned-director can…
Verdict- Excellent work. Spell-binding frames…Much more than a road movie!!
Rating: 3.5/5
Pullipulikalum Aattinkuttiyum Movie Review
Pullipulikalum Aattinkuttiyum Movie Review
Producer– Shebin Backer, Zulfikkar Azeez
Director- Lal Jose
Cast– Kunchacko Boban, Namitha Pramod, Irshad, Shiju, Joju, Shammi Thilakan, Suraaj Venjaramoodu, Harisri Ashokan, Bindu Panicker, Anusree etc.
Music– Vidyasagar
Cinematography :S. Kumar
Review By : Unni R Nair (Kerala9.com )
Lal Jose has given us many good films- all kinds of films. But this time, with ‘Pullipulikalum Attinkuttiyum’, he fails to deliver and the film ends up being just an average entertainer. There is nothing in it that would make you tag it a Lal Jose film.
‘Pullipulikalum Attinkuttiyum’ takes us to Kuttanad. Chakkattuthara Gopan (Kunchacho Boban) is a tourist guide kind of guy; he owns a houseboat and manages to find clients somehow to eke out a living. He has to support a somewhat ‘big’ family- his mother (KPAC Lalitha) and three brothers. His brothers Mani (Irshad), Vijayan (Shiju) and Suku (Joju) just while away their time, doing almost nothing. All that they do is eat, double up as goons and thrash people for money (their victims often hunt down Gopan and thrash him up, in return) and just wander around aimlessly. They never think of doing any work; Gopan is there to work for them…
Gopan meanwhile finds a dancer, Jayasree (Namitha Pramod), to dance in his houseboat and entertain guests. Jayasree is the daughter of Revamma (Bindu Panicker), a stage artist who could never earn a name or money as an artist and who dreams of sending her daughter to Dubai and earning a fortune. Eventually Gopan and Jayasree fall in love, something that Revamma doesn’t like. In the meantime Kuriachan (Shammi Thilakan), the local leader who too owns a houseboat and aspires to build up a career in politics gets arrested for immoral trafficking. Incidentally it’s Gopan whose casual statement leads the cops to Kuriachan and thus Kuriachan becomes his sworn enemy. Once free, Kuriachan swears to ruin Gopan and his business…
Well, that’s all. An average kind of story, presented against the backdrop of the backwaters. It just goes on, along predictable lines and ends in a very predictable manner. There is humour, songs, some fight and drama- all in light vein and it just goes on. Till half-time, you feel it’s rather entertaining. But post-interval, it just drags on and you get tired. By the time it ends, you’re glad it has finally ended and you come out, neither too happy nor too discontented. And if someone waiting for the next show asks you your opinion, you’re most likely to find yourselves at a loss, not knowing what to say. You would be confused, I bet!
Yes, to a great extent ‘Pullipulikalum Attinkuttiyum’ is a let-down, but yes, it has its share of lighter moments, thereby making it a film that you’d want to watch along with your family. Kids may find it entertaining. So, at the box office, it may end up being a decent hit…Who knows!!
Performance
Kunchacko Boban fits into his role, that of Gopan, perfectly well. He lives up to expectations and delivers it quite satisfactorily. In fact I have nothing negative to say as regards the performance aspect in the film. Everyone has done justice to his or her role. Namitha Pramod is good and the on-screen chemistry between her and Chackochan works out well. Irshad, Shiju and Joju are good, but if the writer and director had paid better attention to the characterisation part, these actors could have better scope for performance. Bindu Panicker, Shammi Thilakan, Harisri Ashokan, KPAC Lalitha, Anusree etc do justice to their roles. Suraaj Venjaramoodu is his very usual self and seems to be repeating himself, though he plays his part very convincingly.
Technical aspects
Ace cinematographer S Kumar does a splendid job; he gives us some excellent shots of Kuttanad and makes it a treat to watch.
Music
Vidyasagar has delivered some good tunes, which jell perfectly well with the mood of the film. The songs are all soothing to the ear, but I am not sure how long these songs would remain in your minds and memories.
Script
Well, it’s the script by M.Sindhuraj that does all the damage. The whole film is based on a script that has nothing much to say. It’s just a so so kind of story and there’s nothing new to it. The characterization part is also just so so and that’s what affects the totality of the film.
Direction
Lal Jose, the veteran of so many memorable movies, representing all genres, is of course in full control. But with a script that has nothing much to offer and which is just average stuff, there’s a limit to what he could deliver.
Verdict– Just so so…weak script; watch it just for Chackochan and others…
Rating: 2/5