Toronto: After giving an ultimatum to reduce the number of diplomatic representatives in India, Canada has shifted its diplomatic representatives to other countries. Considering India’s demand to withdraw 41 diplomatic representatives by October 10, diplomatic officials are being transferred to Singapore and Malaysia.
India had given Canada till October 10 to withdraw its diplomatic representatives. The Financial Times also reported that India has clarified that Canadian officials will no longer have diplomatic protection after this deadline.
Canada has 62 diplomatic missions in India. India has demanded parity between the two countries in terms of number and status of diplomatic representatives. The new action is in the background of that.
After the murder of Khalistan separatist Gardeep Singh Nijjar, India-Canada relations were strained. After Canadian Prime Minister Trudeau said that India was behind the killing of Nijjar, both countries expelled their diplomatic representatives. Subsequently, issuance of Indian visas to Canadians was banned from September 18.
New Delhi: Center’s warning to urgently remove child sexual abuse content from Indian social media platforms. Notice of IT Ministry that strict action will be taken if any type of Child Sexual Abuse Material (CSAM) is found.
“We have issued a notice to the platforms of X, YouTube and Telegram asking them to ensure that there is no content that could lead to sexual exploitation of children,” Union Minister of State for Electronics and IT Rajeev Chandrasekhar said.
Any child sexual abuse content on these platforms should be permanently removed. The notice also directed that precautions should be taken to prevent their re-appearance in future and the details thereof should be reported.
Ignoring the instructions will be considered a violation of Rule 3 (1) (b) and Rule 4 (4) of the IT Rules, 2021, the IT ministry’s notice said. In case of delay in complying with the notices, Section 79 of the IT Act warned against the protection (safe harbor protection) currently available to Internet intermediary platforms.
London: British intelligence reports that 55 sailors in China’s nuclear-powered submarine have died of suffocation after falling into a trap set for enemy submarines.
In the Yellow Sea, the US and British submarines were caught in a trap, and the oxygen supply system of the Chinese submarine was damaged. The accident happened on August 21. However, China state that no such accident has taken place in the yellow river.
Thiruvananthapuram: The Central Meteorological Department has predicted that rain will continue in the state for the next five days. Yellow Alert has been announced on Sunday and Monday.
Yellow alert was announced in Wayanad, Kannur and Kasaragod districts on Sunday and Malappuram, Wayanad and Kannur districts on Monday. Chance of isolated heavy rain is forecast. 64.5 mm to 115.5 mm of rain is expected in 24 hours.
According to the National Oceanic and Atmospheric Research Centre, there is a possibility of high waves of 0.5 to 2.0 meters along Kerala coast and south Tamil Nadu coast till 11.30 tonight. Fishermen and coastal residents should be cautious.
Authorities have issued a warning to the public, urging them to report any suspicious items such as crates, packages, firearms, or other strange objects found in and around the river.
(Image Source: X @ shorts_91)
Flash floods have devastated a remote state after a high-altitude glacial lake near the China-Nepal border potentially burst on Wednesday. Tragically, the casualty toll in the Sikkim flash flood has risen to 25, according to officials on Friday. In response, the Army has launched a massive operation, utilizing helicopters to provide relief to the thousands of individuals left stranded by the flood.
During the flood, 23 military personnel went missing from the Bardang region in Sikkim. The Teesta River washed away military equipment, including firearms and explosives, as confirmed by the Defence PRO in Guwahati on Friday. Authorities have issued a warning to the public, urging them to report any suspicious items such as crates, packages, firearms, or other strange objects found in and around the river.
Efforts to locate the missing soldiers are underway in Sikkim and North Bengal, with the bodies of seven personnel already recovered. Thankfully, one individual was rescued.
ONE WORD: ‘Chaaver’ offers a visual cinematic treat with a weak script.
•Language: MALAYALAM
•Duration: 128 Minutes
•Genre: Political Action Thriller
•POSITIVES:
1: Direction
2: Cinematography
3: Performance of Kunchacko Boban
4: Songs and Background score
6: Lighting
7: Locations
•NEGATIVES:
1: Story
2: Screenplay
3: Lagging second half
4: Duration of the film
5: Editing
7: Climax
•STORY IDEA:
The gang responsible for the murder, consisting of Ashokan, Musthafa, Asif, and Thomas, found themselves on the run shortly after the heinous act. However, Ashokan’s injury sustained during the crime required them to seek medical attention. In a twist of fate, an unsuspecting medical student named Arun, who was unaware of their criminal activities, ended up in their jeep and became entangled in their conflict. Consequently, the gang must now exert considerable effort to evade detection by the investigative team and remain off their radar.
•DETAIL REVIEW:
The film Chaaver is directed by Tinu Pappachan and written by actor Joy Mathew. The movie is produced by Arun Narayan and Venu Kunnapilly under Arun Narayanan Productions and Kavya Film Company. Jinto Geroge handled the cinematography and Nishad Yusuf did the editing for the film. With a duration of 128 minutes, the film is currently running in theatres with a U/A censor certificate.
Tinu Pappachan is a master of his craft, and his latest film Chaaver had me hooked from the moment I heard about it. With his signature style of direction and jaw-dropping camera work, I knew I had to book my tickets ASAP. Plus, the script by the talented Joy Mathew only added to my excitement. But, unfortunately, I have to admit that Chaaver fell short of my expectations. Despite the impressive making quality and stunning cinematography, I found myself bored and unengaged throughout the film. Even the usually brilliant Kunchacko Boban couldn’t save this lackluster movie. It’s a shame to say that Chaaver is the weakest film in Tinu Pappachan’s career. While I appreciate the effort put into the making of the film, it just didn’t deliver the excitement and entertainment I was hoping for.
Prepare to be disappointed. Despite the promising track record of acclaimed actor and writer Joy Mathew, his latest venture, Chaaver, falls flat on its face. Mathew, known for his hard-hitting films like Shutter, Uncle, and Saamoohyapaadam, took on the challenge of crafting the story, screenplay, and dialogues for Chaaver. With such a talented team behind it, one would expect a different cinematic experience altogether. Unfortunately, all assumptions and expectations were shattered as Mathew’s script failed to deliver the necessary components for a fully-fledged political thriller.
Chaaver’s storyline is nothing new, a tale we have seen countless times before. Set against the backdrop of Kannur politics, the film revolves around a political murder and the criminals responsible for it. The premise had potential, but the screenplay lacked the finesse needed to make the movie truly engaging. Instead, what we are left with is a tedious and unpleasant experience in the theater.
Mathew’s writing is to blame for this disappointment. He unnecessarily stretches a small plot event into a grueling 128 minutes, leaving the audience longing for something more substantial. It becomes painfully clear that the story of Chaaver simply does not fit the format of a feature film. As I watched the film unfold, I couldn’t help but feel that it was dragging on, with predictable situations and occurrences that I could easily anticipate. This predictability made my viewing experience clumsy and frustrating. In the end, Chaaver fails to live up to its potential. Despite the talent involved, the film falls short in delivering the gripping political thriller it promised. It’s a shame that Mathew’s script lacked the necessary components to make this a memorable cinematic experience. So, if you’re looking for an engaging and unpredictable film, Chaaver is not the one for you.
The film’s glaring flaw lies in its sketchily defined characters and the overtly one-sided, propagandistic political narrative that the script shamelessly pushes forward. These elements, rather than enhancing the film’s depth and complexity, only serve to hinder its overall impact and leave the audience feeling unsatisfied. The lack of character development in the writing of Joy Mathew leaves us with a shallow understanding of the individuals we are meant to invest in, making it difficult to truly connect with their struggles and triumphs. Furthermore, the heavy-handed political agenda that permeates the entire storyline feels forced and artificial. In the end, this lack of depth and unbalance in the script ultimately killed excellent making and cinematography and left us longing for a more nuanced and intellectually stimulating cinematic experience.
The second half of the film takes a daring leap, transforming from a gripping political thriller into a heart-pounding survival thriller. However, it’s unfortunate that the movie struggles to maintain its momentum and pace. The scenes leading up to the climax lack the necessary excitement and fail to keep us on the edge of our seats. Despite the stunning cinematography in the gunshot scene, it fails to deliver the anticipated thrill. The climax, which should have left us satisfied, instead leaves us wanting more. Joy Mathew cleverly hides a twist until the very end, keeping us intrigued as to why a party leader would want to kill an innocent young man who posed no threat. However, when the reason is finally revealed, it’s met with disbelief. The impact of the killings falls flat, failing to surprise or shock. It’s puzzling how Joy Mathew could come up with such a script, only to deliver a disappointing ending.
The quality of the direction and the outstanding cinematography are the only saving elements which helped to complete the movie. The hard work and passionate filmmaking of Tinu Papachan were brightly evident in the film, he tried his best to make the viewers engage but the flat script that didn’t offer anything new was literally destroying the brilliant direction of Tinu Pappachan. The cinematography by Nishadh Yusuf was also a saving factor that helped me to sit and watch. His frames and shots were entirely looking unique and different. There were many unbelievable shots and frames and it was something new to the eyes. The lighting methods used in the film were purely authentic and I was able to get a real in-depth feel of vibrancy in my eyes. The scenes which had the bloodshed had amazing lighting techniques and I felt a kind of fear that the red blood gives. The gunfire shot in the climax and the locations in the ending were a treat to watch. The climax scenes which had the fog and long trees crammed in the night vibe were fearful to watch. Theyyam scenes in the movie were magically shot and it gave a haunting feel. The background score in the film was also catchy, in the death scenes the background tunes gave a nervous feeling and I sensed a dissimilar atmosphere. The editing of Nishadh Yusuf could have been best if he had trimmed some stretchy scenes but the transition of scenes came out well and didn’t feel any sort of mismatches.
Kunchacko Boban’s performance was nothing short of electrifying, as he effortlessly brought his character Ashokan to life. From his appearance to his facial expressions, everything about him perfectly embodied the role of a political goon gang leader. But it was in the killing scene that Kunchacko truly stole the show, leaving the audience in awe of his natural acting skills.
Antony Varghese, in his extended cameo role, delivered a decent performance that didn’t quite reach the same level of intensity as Kunchacko’s. However, Arjun Ashokan’s portrayal of Arun, a character caught in the midst of a crime, was truly convincing. He flawlessly captured the innocence and vulnerability of his character, leaving a lasting impression on the viewers. Sajin Gopu and Anuroop P also deserve recognition for their notable performances as political goons. Their portrayal of these menacing characters added depth and authenticity to the film.
But it was Manoj K. U as Mustafa who truly left a lasting impact. His dialogue delivery, the way he effortlessly slipped into the slang of his Kannur language, and his overall acting prowess were simply astounding. In the climax, his sharp looks and the combination scene with Kunchacko Boban were nothing short of provocative. The fear of death was palpable in their performances, leaving the audience on the edge of their seats. Overall, the performances in this film were nothing short of captivating, with each actor bringing their own unique flair to their respective roles. It’s safe to say that the talent on display here is truly something to behold.
•CONCLUSION:
So overall the film Chaaver gave me a disappointing cinematic experience because of the pathetic script. The direction of Tinu Pappachan, the cinematography by Jinto Geroge and the performance of the actors are the only plus factors I felt about Chaaver. The movie is predictable and lagging at many points and doesn’t offer anything new other than some technical quality. The story by Joy Mathew is extremely weak and the screenplay also suffers from producing impactful scenes. So I won’t recommend the film Chaaver but if you are a fan of Tinu Pappachan movies then you can give it a try. Still, it is better to book the tickets with fewer expectations.
Mumbai: 7 people were killed and 40 injured in a massive fire in a 7-storey building in Goregaon, Mumbai.
Of the six people who died in the fire, including one man and five women, two were minors.
The injured were admitted to HBT and Cooper Hospitals in Mumbai.
Brihanmumbai Municipal Corporation (BMC) informed that the fire broke out at the Jai Bhavani building in Goregaon West’s Azad Nagar area around 3 am. The cause of the fire is unclear. Officials said that an investigation has been launched into the incident.
Within four hours of the trailer release, the Leo trailer has already achieved a record-breaking viewership of 16 million views.
(Image Source: X @7screenstudio)
Thalapathy Vijay and Lokesh Kanagaraj’s highly anticipated film, Leo, is set to hit theatres this month. As promised, the makers of the film have released the trailer, which has left fans excited for what’s to come. The 2-minute 43-second trailer showcases Vijay in an action-packed avatar, offering a glimpse into the film’s narrative and Lokesh Kanagaraj’s directorial prowess in crafting intense action sequences.
The trailer promises two distinct shades of Vijay, sparking anticipation among fans for a surprise-packed performance. It offers a glimpse into the world of ‘Leo’, where Vijay plays a family man with a wife (Trisha) and a daughter, living in Kashmir. The 2.5-minute video opens with Vijay narrating a story in the backdrop while the characters are introduced in the visuals.
We get to see Thalapathy as a calm-natured man Parthi living with his family, chased by a group of gangsters who mistake him for Leo. Vijay’s hot and cold looks as two characters were top-notch. We also get a glimpse of Trisha Krishnan, who plays Thalapathy Vijay’s wife, and they even have a daughter.
Trailer of Leo (Source: YouTube @ Sun TV)
Leo is expected to be a blockbuster hit, with fans eagerly waiting for its release. The trailer has already created a buzz, and it remains to be seen how the film will fare at the box office. With Vijay’s star power and Lokesh Kanagaraj’s directorial skills, Leo is sure to be a treat for fans of Tamil cinema.
In a highly anticipated release, the hyena portions of the film Leo have captivated audiences with their stunning visuals, promising a visual feast on the big screen. The trailer revolves around the life of Parthi, leaving viewers intrigued about the truth behind his alter ego, Leo Das. The trailer showcases impressive stunts and visuals that have garnered much praise.
However, not all fans were pleased with the trailer, leading to mixed reactions from various quarters. Some Vijay fans expressed their disappointment, sparking discussions on social media. The hashtag #disappointed has now become a trending topic in relation to the Leo trailer. It remains to be seen how this trailer will impact the overall reception of the film in the coming days. Despite this, within just four hours of its release, the Leo trailer has already achieved a record-breaking viewership of 16 million views. Leo is a Pan-Indian film set to release on October 19th, offering audiences a showcase of the captivating world of Parthi and Leo Das.
London: The Metropolitan Police has arrested a man in connection with the attack on the Indian High Commission office in London. The search is on. One of the people identified by the NIA in the case has been arrested. The accused was arrested while participating in a protest in front of India House demanding that the UK intervene against India in Canada’s allegations related to the murder of separatist Nijjar. Details of the suspect have not been released. Police said that the accused was taken into custody and released on bail.
Last March 19, the Indian High Commission was attacked by Khalistan activists. Attempts were made to pull down the national flag of India and demolish the building. Employees were injured in the attack. India had strongly protested the incident.
The new arrest was recorded after the Scotland Police clarified that it was not a crime to not allow the Indian High Commissioner to enter the Gurdwara in Scotland.
Thiruvananthapuram: Tomorrow is a holiday for schools functioning as relief camps in Thiruvananthapuram taluk. District Collector Jeromick George has declared holiday for Konchiravila UPS, Vettukad LPS and Government MNLPS Vellayani schools. At the same time, the ban imposed on quarrying, mining activities, tourism, transportation to coastal, coastal and hilly areas and access to beaches was also withdrawn.
